B Sides for 11/19/2014
Frontman James Hetfield and drummer Lars Ulrich joined Ferguson for an extended interview before the group performed their 1983 classic, "Hit The Lights." Metallica are asking help from fans as they prepare deluxe reissues of their first two albums - 1983's "Kill 'Em All" and 1984's "Ride The Lightning" - for release in 2015. "We want it all!," posted the group. "Did you manage to sneak a video camera into a show long before they fit in your pocket? Maybe your old instamatic camera for some snap shots? A cassette Walkman with a microphone? We're looking for anything and everything... audio, video, photos, fliers, ticket stubs, the set list you picked up off the floor, and in general any mementos you may have from that around that time." "Make your mark on these albums by e-mailing us at [email protected] to share your story and receive more info about submitting photos, videos, audio recordings and other mementos." Read more and watch the episode here.
Page was asked why the band's iconic fourth album went untitled. "It was the right way to deal with things at that time," said Page. "You wanted to do things a lot of other people hadn't done. "Although, there was a lot of friction with the record company 'cause the way they saw things was as things run normally. But the fact of having that album out and the old man with the sticks and the picture frame [on the album cover] is so iconic that it was the right thing to do." The guitarist also shared some of the creative process behind the album's opening track, "Black Dog." "In effect, John Paul Jones had a riff, and that's the sort of riff that you know of Black Dog," revealed Page. "But that's what it was, it was just a riff. He was sort of playing it over and over. It was tricky to play. Once I could play it with him, I said, 'Okay, well let's try this with a call and response.' So with Robert [Plant] singing and then the riff. And then all the other bits outside of the riff - those are all the bits that I put into it. So really, if you're asking me what my part of it was, it was actually taking it from a riff and making it into a piece of music." More including video here.
"The show must go," said Fallon. "It's just happened yesterday and it's never happened before to us, so I was thinking, 'who do we get to come on the show'. And then I realized that we already have the best band in the world - The Roots - are here every single night. And Bono's wardrobe is here because he was going to wear it tonight but obviously he's not going to need it now. So I thought 'let's have some fun with it." Fallon donned Bono's gear and teamed up with The Roots for a performance of U2's 1988 hit, "Desire." U2 revealed news of Bono's accident to fans on Sunday. "It looks like we will have to do our Tonight Show residency another time - we're one man down," posted the group. "Bono has injured his arm in a cycling spill in Central Park and requires some surgery to repair it. We're sure he'll make a full recovery soon, so we'll be back! Much thanks to Jimmy Fallon and everyone at the show for their understanding." Watch video of the performance here.
Walsh then performed his 1985 classic, "Rocky Mountain Way", before he and the Foos were joined by Jane's Addiction frontman Perry Farrell to play that group's "Mountain Song." Produced by Butch Vig, "Sonic Highways" was recorded in 8 American cities - Austin, Chicago, Los Angeles, Nashville, New Orleans, New York, Seattle and Washington, D.C. Watch videos here.
"The fans are a big part of what we do," says lead guitarist Angus Young and frontman Brian Johnson adds, "They are a member of the band by default". The London set saw fans come in from all over the world to be a part of the video for the title track to their forthcoming album, "Rock Or Bust", due December 2. "[The video] was greatly, greatly helped by the fans," explains director David Mallett. "And one chap - complete with an Angus outfit - flew from South America to watch AC/DC make a video for three-and-a-half hours�and then he flew home to South America." "Why are AC/DC fans loyal to AC/DC?", asks Mallett. "Because AC/Dc are loyal to the fans." Watch the behind the scenes video here.
Funknroll, which was first heard on the Arsenio Hall show in March, was featured on Prince's Art Official Age and Prince & ThirdEyeGirl's Plectrumelectrum, both of which came out in September. This version of Funknroll is from the latter. The albums marked the singer's return to Warner Brothers, nearly 20 years after he left the label in 1995. Check out the video here.
But if anyone has the "right" to cover it, that would be former bassist Peter Hook and his new band The Light. During their show at Chicago's Metro on Friday night, the band closed out their encore with a special rendition of the song featuring guest appearances from local resident Billy Corgan and his Smashing Pumpkins bandmate Jeff Schroeder. The crowd predictably went nuts when Hook and co. strummed the iconic opening chords of the track. Corgan handled the vocals, doing his best Ian Curtis impersonation. Corgan and Schroeder's appearance wasn't entirely due to The Light playing in their hometown. Back in 2001, Corgan supported New Order on tour. New Order grew from Joy Division following frontman Curtis' death. Watch it here.
The new effort is Tommy Giles Rogers Jr.'s second solo album under the name Thomas Giles. He has also released an electronic record under the moniker Giles. Between The Buried And Me released live studio DVD Future Sequence: Live At The Fidelitorium in September. Watch the Siphon The Bad Blood video here.
Selway is joined on the record by multi-instrumentalists Adem Ilan and Quinta and he previously stated the album was "generally darker and fuller" than his debut solo outing - and he revealed they wanted to cover a variety of instruments on his latest recording. He said: "From the outset we wanted the album to be the three of us, and we covered a lot of instruments between us. Different musicians stretch you; I felt stretched on Weatherhouse, but very enjoyably so." Read more and watch the video here.
He tells Mitch Lafon: "When I joined the band, there were a lot of people who just resented me and actually hated me for being in Maiden. They blamed me for Bruce leaving, which is a classic girlfriend problem, where you blame your friend for your girlfriend leaving or whatever. But a lot of people didn't want to listen to me. "It was a very different time for Maiden. The music business was changing, MP3s were coming, the hardware was starting to disappear, CD sales were down for everybody worldwide. And it was a time when a lot of old-school Maiden fans didn't want Blaze Bayley to be the lead singer. " Read more here.
Taken from the split 12" with Whirr, out now on Run For Cover Records, the video was directed by Don Argott (the man the Lamb Of God As The Palaces Burn documentary) and features a heavy bout of kidnapping. The new split record features two new tracks from Nothing recorded with Will Yip who has worked with everyone from Cradle Of Filth and Title Fight to Schoolly D and Paint It Black. Check out the tour dates and watch the video here.
'With Intent' was one of the first tracks we wrote for 'Court Of Conscience' and it is also one of my favourites to play live, so it seems fitting to explain it a little more. Unlike some bands, all the members of Winter In Eden contribute to the writing process but the initial idea can come from any one of us. In this case, it came together really quickly with Sam hammering out a guitar riff and Steve J (keys) soon had a counter melody floating over the top. At the time, it kind of resembled the theme tune from an old children's TV show that aired in the UK and as such, the song quickly earned a working title of the same name. Incidentally, we are already writing for the next album and have another track with the same working title � that TV show must have been a major influence on all of us for some unknown reason!! Anyway, back on topic � as the track developed the arrangements changed slightly (as they often do) but Vicky had the vocal melody nailed and already knew what the lyrics would be about. 'With Intent' is all about a stalker! Most of the time, when people think of stalkers they think of male stalking female but it could easily be the other way too. It could be someone who's known to you, someone you may have had a relationship with or a total stranger. We wanted the track to musically demonstrate both the light and the dark, the innocent and the sinister side of stalker and victim. Luckily for us, Ruud Jolie (Within Temptation) who produced the album, had some great ideas to make the heavy middle eight section sound aggressive and dark to contrast with the lighter, more up-beat chorus. Vicky also likes to make her lyrics slightly ambiguous, rather than to lay it all out. So you'll need to listen and make up your own mind as to who the stalker is. The video which accompanies the track, depicts a young girl being stalked by ghostly figures after she finds a pocket watch, but is that really who this track is about? Or is there another, more down-to-earth but equally unfavourable meaning? Hearing is believing. Now that you know the story behind the song, listen for yourself as you watch the video here and learn more about the album right here!
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