B Sides for 11/26/2014
Frontman Chad Kroeger tells Absolute Radio: "We are one of those bands that a lot of people think take themselves seriously. And no one - and I know this is hard to believe - can make as much fun of us as we make fun of ourselves. "And we are harsh. If you think the internet's rough, you should sit in a van with us. We make up the best alternate lines to our own songs. And this is some top-shelf stuff." Guitarist Ryan Peake adds: "I go home crying sometimes - and it's jokes I've made about myself." Read more and stream the video here.
The concept of breakage arises from traditional media, where record labels covered the costs of manufacturing, distributing and marketing music, and also carried charges associated with the return of unsold and damaged items. Those costs were removed before calculating musicians' share of income. Since there are no such costs associated with streaming, it's possible for labels to use the breakage concept to secure a clear stream of profit without having to share any with artists. The amount of breakage can be extended when labels argue that having their music available via a streaming service increases the value of that service - and once again, none of that income has to be handed on to musicians. Sixx says: "A record label signs an artist to sell music at different destinations. They license music to streaming companies, and when they do, they get around 70% of the money. On downloads, just like on CDs, they pay a royalty to the artist. But on streaming they don't - they use a legal loophole called 'breakage.' Read more here.
The package is a 3-disc, 50-track rarities compilation of original B-sides, unreleased tracks, instrumentals, covers and demos curated by guitarist Kim Thayil. Disc 1, dubbed "Originals", is filled with Soundgarden songs - mainly B-sides - in addition to two unreleased tunes, "Kristi" and "Storm." Disc 2, "Covers", presents covers of tracks by The Beatles, The Rolling Stones, The Doors, The Ramones, Devo and others. Disc 3, "Oddities", offers instrumentals, remixes and demos, including Steve Fisk's unreleased "The Telephantasm (Resurrection Remix)", "Twin Tower", and "Night Surf", an instrumental performed by bassist Ben Shepherd. Watch the video here.
The bleak video was created by Costin Chioreanu who designed the artwork for At War With Reality. At The Gates' frontman Tomas Lindberg says of the video: "To have Costin work on one of our songs this way has been very rewarding. It's like the next step of the album artwork, and basically more than I could have ever hoped for." He adds: "Costin paints up a fevered and dark nightmare world that complements the lyrics and music up to the point of perfection. Now I just have to go convince him to do a full length movie for the whole album..." Watch the video here.
It will be their first studio release since eighth album Rave Tapes, which launched in January via Rock Action Records. The EP features three tracks recorded during the Rave Tapes sessions along with three remixes of tracks from the album by Blanck Mass, Nils Frahm and Pye Corner Audio. Along with a digital release, the EP will be available on CD and limited-edition 12-inch vinyl. The band were nominated in the Band/Artist Of The Year category at this year's Progressive Music Awards. They've lined up a date at the Sydney Opera House in March and will then head to Japan for three shows later that month. Check out the new video and the EP tracklisting here.
The clip features the whole band apparently naked, although several eagle-eyed viewers have pointed out that guitarist Rick Parfitt does appear to be wearing a pair of slender black briefs. Status Quo announced the Aquostic album in an exclusive interview with Classic Rock in August and released a promo for And It's Better Now in September, before playing at the Roundhouse in October. Watch the video here.
Singer Danny Bowes says, "What can I say about 'Wonder Days'? Well, it's the title track from the new Thunder album, our first in six years, and if you listen closely it tells the story of why we came together all those years ago to form the band. So with that in mind, we thought it's the perfect track to introduce everyone to what we've been up to recently� which is making an album that we are all incredibly proud of! We played it live for the first time last month at Loud Park in Tokyo and filmed it for your pleasure. We like the song so much, we think we'll play it again next March, along with a lot more from the new album. Come see us - a good time is guaranteed for all!" Last month Thunder played a free show for fans at London's Brooklyn Bowl venue, a show recorded for release as a cover-mount CD accompanying the January 2015 edition of Classic Rock. In September, the band promised the new album would be worth the wait, and announced a short UK tour for March 2015, where they'll play alongside Reef and Tax The Heat. Watch the new video here.
The Rev tells American Blues Scene: "I've been obsessed with the idea of taking fingerstyle guitar to a place it's never been before." He adds: "When people hear So Delicious and see us play live, I think they understand that what we're singing about is real to us. "We believe in the stories we're telling and in the way we play. And when we're on stage or off, there's nothing fake about us. We are what we do, and I'm proud of that." Stream the new song here.
Cook tells The Flame Still Burns: "I try to put an emphasis on original songwriting, lyrical content; I try to give it a bit of a unique presentation. My vocal style is a little different than the typical blues and R&B vocalists. "I try to do things with a little bit more intensity - for lack of a better word, do them a bit heavier, even if it is an acoustic song. Just make it bigger and more dynamic, but organically, if at all possible." Watch the video here.
The guitarist fondly remembers playing the Freddie Mercury tribute concert at Wembley in 1992, and delivering their first-ever UK stadium show in their home city of Sheffield the following year. But Collen tells Music Radar: "The best might be when we headlined Download. It was just one of those gigs where all the stars lined up beautifully. The audience was massive - 85,000 people - and the weather was perfect. "During our set the sun went down, and the view from the stage was spectacular. From the very first note, we played our asses off; everybody was totally on their game and the sound was spot-on. "This has happened to me about five or six times in my life - I feel as though I'm having an out of body experience. Somebody else is playing the show, and I'm channeling that person. That was Download." The show also raised memories of Def Lep's 1986 appearance at Download's predecessor, Monsters Of Rock - their return to action with drummer Rick Allen after he lost his left arm in a car crash. Read about that here.
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