"The only problem with that is figuring out how to work out the music situation," Sorum said. "If there was a film about Guns N' Roses, the thing about Guns N' Roses that was different than all the butt rock bands in Hollywood was that it was down and dirty and punk rock and real. As much as anyone wants to say they want to try to lump it in with hair metal, it never was because it was a different kind of energy.

"'Headlong Flight' was one of those songs that was a joy to write and record from beginning to end," bassist Geddy Lee tells Rolling Stone. "Alex [Lifeson] and I had blast jamming in my home studio one day before the second leg of the Time Machine tour, and I did not revisit that jam until a year later. Alex and I assembled the song to be an instrumental and its original title was 'Take That Lampshade Off Yo Head!', but once we saw the lyrics Neil [Peart] had written, I knew that the spirit of the lyrics matched the instrumental perfectly and it was just a matter of making them fit and writing the melodies."

Ghost, Letlive, Jim Florentine, Don Jamieson, The Black Dahlia Murder, Charred Walls Of The Damned, and Shuli Egar join the previously announced line up of Metallica, Arctic Monkeys, Avenged Sevenfold, Eric Church, Modest Mouse, The Gaslight Anthem, Cage The Elephant, F**ked Up, Best Coast, Hot Snakes, Titus Andronicus, Gary Clark Jr., Lucero, Roky Erickson, The Black Angels, The Sword, A Place To Bury Strangers, Liturgy, The Jim Breuer Heavy Metal Comedy Tour, Soul Rebels, Wooden Shjips, and an entire stage devoted to punk and thrash music - Damage Inc. Stage - headlined by Suicidal Tendencies and Sepultura, and featuring up-and-comers Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done, and more.

Music Week reports that the 15-track album was put together by Ramone's brother Mickey Leigh, manager Dave Frey and producer Ed Stasium � who helmed a number of The Ramones' albums.

"That's really what he was going towards, a solo album but working with different people," Erlandson said. "I got to see him play it in front of me."

"I wanted to do Kiss comics the way I remembered them as a kid," writer Chris Ryall told Comic Book Resources. "I wanted to do them like the old Marvel comics that Stan Lee worked on with John Buscema and then John Romita, Jr. They were just these teenage, young guys who got these talismans that powered them up. It was like a superhero comic concept, which I always dug."

Hellyeah has been selected as direct support, with Iced Earth also on the bill. Volbeat will be touring in support of their latest album Beyond Hell / Above Heaven.

The string of new East Coast Tour dates will be support of the band's brand new studio album, United We Stand. The ten track album is set for release on April 24th.

Harakiri, a Japanese word meaning ritual suicide, is the follow up to 2010's critically acclaimed Imperfect Harmonies and the third solo release from the System Of A Down frontman. As with 2007's Elect the Dead and Imperfect Harmonies, Serj produced Harakiri himself at his home studio in Los Angeles.

The deluxe reissue of Ram is set for North American release on May 22nd 2012. You can check out the Ramming preview here.

The band have mixed it up with their latest bringing in the production team of Sam Hollander and Dave "Sluggo" Katz�aka S*A*M* and Sluggo (Katy Perry) and inviting a slew of special guests such as Ron Sexsmith, Spin Doctor's Chris Barron and Crystal Bowersox who contributed both in the songwriting and performing.

The two CD packages, sold separately, are an important part of this great band's legacy as it shows just how Twisted they became over time.

The album is part 2 of a 3-part series of thematic albums that began with The Darkened Room (TDR) in 2009. Featuring a guest appearance by Gary Green of Gentle Giant on Words and Miracles (Electric guitar, Guitar solos and backing vocals) and The Crush of Night (guitar solo), IZZ brings their characteristic sense of melody to the fore on this album, while at the same time fusing high reaching emotion with the driving impact that IZZ fans have come to identify with the band.

I vividly remember the original inspiration for "Hypnotize." I was in a small club in Santa Monica, and the D.J. was spinning some incredible electro bass lines that had the whole club moving. By the time I hit the parking lot, I had the bass line for our new jam sung into my phone recorder app. Upon returning from L.A., we immediately started working on it. At first the chorus melody came and seemed to stick, however the lyrics initially made no sense. The track musically came together as we had a vision of something funky yet electro, but also could blow up in the chorus like Blur's, "Song 2." The musical hook at the beginning is a guitar/keyboard unison line that was written to capture the attention right off the bat; something like Slash's intro to "Sweet Child of Mine."

At this point, stress was starting to build in our professional and personal lives. The lyrics just came�"I have got so much to worry about. I am stepping up and never coming down." The lyric states our intent to face these challenges head on. The verse and chorus are about the outlet to relieve such stress in our lives as well as for others. I started to notice many patrons of a particular venue we performed at were fixated on some of the dancers. It seemed as if their problems were temporarily absolved by admiring the beauty of these attractive women. The verses also poke a little fun at the delivery of cheesy pick up lines that are often used to "break the ice." In general, "Hypnotize," is an honest declaration of attraction, a motivational force to step up to a challenge and then feel better about letting loose at the end of it all.

Mission to Lars is no regular rock bio movie. It's a documentary about a U.K. man Tom Spicer. He is a learning disabled man who, with his siblings' help, goes on a transatlantic quest to find his much obsessed-over hero, Lars Ulrich of Metallica.

"Live to Rise" is the first single from the soundtrack album for "Avengers Assemble," which will be released May 1.

The video offers a view of life on the road in America, and is the third video released from Rise Ye Sinking Ships.

On Roth, Eddie tells Esquire: "We never really hated each other. I think the press blew that out of proportion. He did kind of blindside us by leaving � we certainly weren't ready for that. But we always, if we argued � you know, now it's always about, about the structure of a song. It's never personal. We've never on a personal level not gotten along."

By 1977, the group had made the final tweak to their lineup, replacing bassist Mark Evans with Cliff Williams, who also joined guitarist Malcolm Young on backing vocals. Of Evans' departure, the CEO of Epic Records�who'd worked as a booking agent for the band during the mid-'70s�later remarked that he knew Mark wasn't going to last because "�he was just too much of a nice guy." With the last piece of the puzzle in place, the group released the powerhouse live recording, Let There Be Rock, which showcased the AC/DC's frenetic stage act. The group launched their first U.S. tour that year, as well, brutalizing U.S. audiences with Angus Young's guitar pyrotechnics over the band's unstoppable backbeat.

1978 saw the release of Powerage, which marked Williams' recording debut with AC/DC. The album spawned the #24 hit "Rock 'n' Roll Damnation" and, itself, went to #26 on the U.K. album charts. With their career trajectory shooting skyward, the band brought in legendary producer Robert "Mutt" Lange for the Highway to Hell sessions. Released in 1979, Highway to Hell became AC/DC's first album to crack the top 100 in America, eventually landing at #17. The album was the perfect combination of the Young brothers' rocket-fueled Berry riffs, the propulsive rhythm section of Williams and drummer Phil Rudd, and on top of it all, the lecherous howl of frontman Bon Scott.

The group was riding a new high when 1980 rolled around. But soon after beginning work on their seventh album, tragedy struck. On February 19, 1980, Scott passed out in his car after a night of heavy drinking at London's Music Machine club. The next morning, Scott's friend, Alistair Kinnear, who'd left Scott the previous evening passed out in the car, went out to find the singer still in the car and unconscious. Kinnear rushed him to King's College Hospital in Camberwell, where he was pronounced dead.

The live video was taken on multiple dates of the "All The Rage Tour" along with Blood On The Dance Floor this past October/November 2011. Watch it here.