Fans will be admitted to this FREE show on a first-come, first-served basis. The show itself will be followed by a Q&A of fan questions.

Flea reports they've been "writing stuff while touring" and adds they'll be released in seven-inch vinyl and digital formats.

The band ran into that problem earlier this week when fans in Manchester England left the arena after losing their patience waiting for the band to start.

NME reports that the band were told to end the show by 11 PM but didn't even take the stage until 11:15. They were schedule to start at 10PM and by the time they ended their set there were reportedly only 6,000 fans still in the arena, 10,000 less than the venue holds.

Slash � The Cat in the Hat: The Story So Far is set to arrive on Blu-ray on August 21 via Pride, according to Blabbermouth. Here's the official description of what to expect from the 131-minute flick: "The most iconic rock guitarist since Keith Richards, Slash has achieved the status of 'most interesting hard rock act in the world today.'

Rolling Stone caught up with the rockers in their Las Vegas studio. Frontman Brandon Flowers explained the title: "In a sense, all Americans are battle born. Our ancestors came here for something better."

The Daily Express reports that the rock legend still suffers pain from injuring his hand back in the '80s. Petty told Q magazine, "I didn't notice it for the longest time, but in the last year it's started to hurt. I guess that's just down to getting old."

Watson is best known for his influence on the '60s folk movement with his groundbreaking flat-picking technique on the acoustic guitar. His songs brought vintage country to the next generation of folk and bluegrass lovers. Moreover, his command of flat-picking helped bring the guitar to the forefront of music in the '50s and '60s, since at the time, the instrument was often treated as a backup for the mandolin, fiddle or banjo.

The band was set to headline the show at Red 7 this Saturday with support from Terrorism, Loss, Morbosidad, Ares Kingdom and Black Witchery.

The album debuted at no. 17 on the Billboard Top 200 Chart last week selling 19,281 digital albums via iTunes where the album was available exclusively for the week.

"We were very happy to lose two Grammy again," he comments. "I think that puts us at zero and eight� Look, dude, it's an old cliche but it's true: it's an honour to be thought of. We achieved something.

After leaving YES following a world tour in 2004, Rick concentrated on his solo career and collaborated with Jon Anderson on a number of projects including tours of the UK and US and a studio and live album. The latest release from Rick Wakeman is an archive live album titled 'In The Nick Of Time', which was recorded in 2003. The album was recorded during the tour to promote the then current studio album 'Out There'. Rick performed with the "New English Rock Ensemble" which featured Rick alongside old hands Ashley Holt, Tony Fernandez and new boys Ant Glynne and Lee Pomeroy. Tracks featured include: "Out There", "Catherine Parr", "No Earthly Connection", "White Rock" and "Wurm". The album has been much anticipated by the large and dedicated Rick Wakeman audience and this release will be the first time this album has been commercially released.

Tracks: 1. Catherine Parr 2. Out There 3. No Earthly Connection 4. Dance of a Thousand Lights 5. The Cathedral In The Sky 6. White Rock 7. Wurm.

The trek kicks off on June 18th in Toronto and will run until July 19th where it wraps in Baltimore, MD. Hellyeah has been selected as direct support, with Iced Earth also on the bill.

Following the band's recent stint as main support for At The Drive-In's reunion tour, Zechs Marquise joins ASIWYFA on June 30th to kick off the extensive tour in Anaheim, CA.

The summer trek is set to kick off July 6th at The Machine Shop in Flint, Michigan, where the band will also film a live video for the song "Halo."

Featuring guest vocals from Steven Tyler and appearances by Aerosmith guitarist Brad Whitford, Stone Temple Pilots' Dean DeLeo, and Grammy-nominated trumpeter Chris Botti, 'Get Me Home' showcases Irwin's unique style of piano-driven, jazz-inspired, blues rock.

The first single from the effort, "Backlash," is set for release on June 19th via iTunes and will hit radio on the same day.

"On 'Intrinsic', we've found ourselves focusing on the songwriting as well as the new textures and melody we're striving for. Each song has its own identity and flow, but the album is fun to listen through in order cause of the conceptual ties," says vocalist/keyboardist Jonathan Carpenter.

The band will start tracking a brand new album with Kelly Cairns (As I Lay Dying, Austrian Death Machine, Molotov Solution) who worked on the bands last album "Illuminator" which was released January of last year.

Little Ozzy was created by Lin Doak, an ex-MINIKISS member who left the band after four years of touring the country with them to create a new live act.

The tour sees the metal icons performing their 1991 self-titled ("Black") album in its entirety for the first time, and the band offers it up with a twist: they perform the songs in reverse order so they can end the regular set with "Enter Sandman."

Badfinger self-produced the first version of Straight Up, but then Apple Records insisted the album be re-made. What was the biggest change that occurred, when George Harrison came in as producer? The idea was to smooth things out, to make it more of an Abbey Road-style album. Apple thought our recordings were a bit crude, so we went in with George and did something more sophisticated. George took our original version of Straight Up, went through the songs and the lyrics, and arranged them very much as he did with his own music. And then he had us play those arrangements. That was the biggest difference. It turned out great, although to this day I think some of those original versions are closer to what the band was about.

It's May 31, 1976, and it's a typically wet rainy night in London, England at the Charlton Athletic Football Stadium. The 60,000 people have been there all day watching the Sensational Alex Harvey Band, Little Feat, The Outlaws, Streetwalkers and Widowmaker battle the elements. How many were there for Little Feat or Alex Harvey can't be clear but the excitement grew tangible as the audience waited for the headlining act. As several tried to climb floodlight towers for a better vantage point, it was obvious that most were there to see one of the greatest live bands of all time, The Who.

The band were still on their '70s creativity high, still pushing the boundaries of rock and roll performance. The Who by Numbers was just out and "Squeeze Box" had given them their first hit single in a while. Tommy would feature heavily in the set (which included "I Can't Explain," "Substitute," "My Wife," "Baba O'Riley," "Squeeze Box," "Behind Blue Eyes," "Dreaming from the Waist," "Magic Bus," "Amazing Journey," "Sparks," "The Acid Queen," "Fiddle About," "Pinball Wizard," "I'm Free, "Tommy's Holiday Camp," "We're Not Gonna Take It," "Summertime Blues," "My Generation," "Won't Get Fooled Again") partly because the Ken Russell movie was released the previous year. And they'd just set the record for the largest indoor arena attendance with 75,962 at the Pontiac Silverdome the previous December.