A veteran of the Detroit music scene, Gutt (pronounced goot) has spent the last year writing and recording with founding members Dean DeLeo, Robert DeLeo and Eric Kretz.
Available now via digital and streaming services, "Meadow" will appear on the band's as-yet-untitled album, which will be released next spring in conjunction with a North American tour.
The special invitation-only concert for SiriusXM listeners at The Troubadour - which featured the live debut of "Meadow" - marked the beginning of a new journey for the band, one that began last year when they launched a worldwide search for a new singer with whom to write, record, and tour.
"We wanted someone who would not only do our earlier songs justice, but would also write new songs and carve out a different path forward with us," says Dean. "It took some time, but we found our guy."
Before choosing Gutt, the trio received and reviewed about 15,000 submissions online before selecting more than 30 singers to audition in person with the group at Studio 606 in Los Angeles. Gutt sang with the band on the last day of auditions. Ironically, he was the only one who hadn't submitted music online. Instead, he was invited after Robert DeLeo heard about Gutt after the bassist had played a show in Detroit with the Hollywood Vampires.
"Talk about a happy accident," explains Robert. "It was clear right away that Jeff had the range to sing vocally challenging songs like 'Piece Of Pie' and 'Interstate Love Song'. But we soon discovered that he also has a great ear for melody and knew how to write a song."
In September 2016, the four of them started working together and spent the next several months finishing off song ideas and writing new music.
"The chemistry was there from the start, and Jeff kept coming up with one great melody after another," raves Kretz. "We ended up finishing 14 songs, which is the most that Stone Temple Pilots has ever recorded for an album." Stream the new songhere.
Grohl and the Foo Fighters were in the city ahead of a November 15 show at the same venue. "What a great night Tulsa. Thank you Dave Grohl for coming out for Paradise City!," posted Guns N' Roses on their social media sites after the show.
The fourth single from "Appetite For Destruction", the song reached No. 5 on the US Billboard Hot 100 while the record went on to become the biggest selling debut album of all time with more than 30 million copies sold worldwide.
The Tulsa stop is part of a fall North American leg of Guns N' Roses' Not In This Lifetime Tour that will wrap up at The Forum in Los Angeles, CA on November 29. Watch video of the jamhere.
"We dedicate this live album to our brother Chester who poured his heart and soul into 'One More Light'," says the surviving members of Linkin Park in a joint statement. "After we finished recording the album, we joked with Chester that - since he had delivered so many stunning performances in the studio - he had set the bar extra high to produce that alchemy on stage each night. Not surprisingly, he welcomed the challenge.
"The shows we played together during the early summer of 2017 were extraordinary. Chester shared with us that he felt this was the best tour we had ever done. The camaraderie and joy we experienced on stage reflected our deep connection with each other, with our fans, and with the music."
"Every night before walking out onto the stage," continues the band, "we would huddle, get focused, and share whatever last-second remarks popped into our heads. Chester always took it upon himself to turn the name of the city where we were playing into a first-rate run. This was our ritual. Best of all, it was a moment to express our gratitude that we were living our dream.
"Chester never forgot to express his appreciation to our crew - the men and women who traveled the world with us, making our dream into reality night after night. Without them, these shows would not have been possible"
"Chester was uniquely passionate, uncommonly generous, sensitive, optimistic, funny and kind," they add, "With his voice, he turned pain into catharsis, authenticity into art, and passion into connection. His dedication to bringing these songs to life was triumphant. For those of you who attended this tour in person, we thank you. For those who could not, we hope this live album gives you a glimpse into how magical these shows were for the six of us." Read morehere.
The joint tour will kick off in Canada on Jan. 27 in Abbotsford, British Columbia, and continue through Feb. 11 in Rochester, New York. For ticket information, head to StoneSour.com and HalestormRocks.com.
After the co-headlining tour closes out, Stone Sour will play a trio of U.S. headlining shows. Red Sun Rising will open on those dates. Lzzy Hale - a Gibson Explorer player - and the Halestorm gang are currently working on their fourth studio album, which is expected to arrive in the spring. The Stone Sour crew is touring in support of their latest release, Hydrograd. Read morehere.
In a letter to Steely Dan's fans published by Rolling Stone, Becker's widow details that the timeline from discovery of the issue, during a routine medical checkup, to his passing was less than four months, while also expressing thanks for the outpouring of support the family has received.
"As Walter Becker's wife of many years, I wanted to share with his fans some information regarding his death that has not previously been reported," Delia begins. "I realize this is overdue, and I hope you will understand why. For me personally, his death was a devastating blow, as I know it was for many of you. I am just beginning to emerge from its heartbreaking impact.
"Walter died in the course of being treated for an extremely aggressive form of esophageal cancer. The cancer was detected during one of his annual medical checkups and its presence came as a grim surprise to Walter, his doctors and to me. It seemed to have come out of nowhere and had spread with terrifying speed.
"Walter chose an intense regimen of chemotherapy at Sloan Kettering though, between the cancer's aggressiveness and the overwhelming toxicity resulting from the chemotherapy treatments, Walter died less than four months after the cancer was detected.
"Walter passed peacefully in our New York City home, surrounded by his family, his music, and a blustery rainstorm - one of his favorite sounds - blowing outside the window. In keeping with his wishes, he was cremated without ceremony or memorial in New York City.
"Understandably, Walter wanted privacy during the course of his illness and he hoped for recovery. He wanted to be able to return to the stage and once again perform for his fans. It's important to me, as it was to Walter, that you all know he never intended to keep anyone in the dark about his condition. He just ran out of time much sooner than any of us thought possible." Read morehere.
"Hallelujah" was originally an acoustic song I wrote while living in Oklahoma City back in 2011. I was struggling to come to terms with my parent's divorce, my mother's mental health and personally nursing an intense relationship with psychedelics trying to cope with it all. I remember writing it as a critique on what I viewed as my father's hypocrisy in getting remarried only months after the divorce and his insistence that all I needed was to have faith. I was young, angry and completely at a loss as to what to do with it all.
When we began writing Apartment Living, we revisited "Hallelujah." The guys had heard it often when we first met, playing it wildly to our close friends in coffee shops.
I don't remember what made us decide to revisit Hallelujah as a full band, and as the music was forming it became clear that something in me had shifted. Yelling the original lyrics at the top of my lungs at practice, I realized all that anger I had once felt had subsided. In that time between its inception and the current my family and I have since been reconnected, and I had been softened through their love, and the love of other who I had met along the way.
We reworked the song,
shared ideas, shared lyrics;
Argued, bargained and compromised.
We wrote a song we love to listen to as much as I hope you will love hearing it.
What resulted, to me, felt like a new step for us as a band and as friends. The song is personally one of my favorites on Apartment Living and to play live. While this doesn't give you much insight in to the meaning of the lyrics in the current state of "Hallelujah," these are the defining moments that breathed life in to the final cut.
Thanks for having us,
Hearing is believing. Now that you know the story behind the song, listen for yourself as you watch the video here and learn more about the bandright here!
The tune originally appeared on the band's second album, "Paranoid", which delivered the group their first UK No. 1 while reaching No. 12 on the US Billboard 200.
Originally entitled "The End Of The End", the 2017 package has been renamed simply as "The End." Directed by Dick Carruthers (Led Zeppelin, Rolling Stones, Aerosmith, Oasis), the project presents the last concert under the Sabbath brand by three-quarters of the original lineup in their hometown of Birmingham, England this past February.
The project will be available on Blu-ray/CD, DVD/CD, 2CD and 3LP configurations. All visual formats feature special bonus material of the band playing a selection of their favorite songs not performed on the farewell trek. These intimate live sessions at Angelic Studios were recorded in the days after their final live performance. Watch the videohere.
While 2018 will be the tour's final bow, Lyman hints at something big happening in 2019 to mark the tour's 25th year. "The enduring spirit of the Vans Warped Tour remains as bright as ever, continuing to inspire creativity and ambition in new and exciting ways as we prepare for a 25th anniversary celebration in 2019," he revealed. "I truly look forward to seeing as many of you as possible during this final cross country run, and getting to thank you for your support on this wild adventure. Until then, take care and be safe."
The acts and venues have yet to be announced, but dates for the last Vans Warped Tour have been shared. See themhere.
The new effort sees Perry collaborating with guest vocalists Robin Zander of Cheap Trick, David Johansen and Terry Reid, and others including Johnny Depp, Zak Starkey and his own sons Tony and Roman Perry.
A cover of the 1960s protest song, "Eve Of Destruction", and a pair of instrumentals round out the set, including "Spanish Sushi", which was produced and arranged by The Perry Boys with Joe on guitars and bass, Roman adding synthesizer programming and Tony handling drum programming. "It's going to be interesting to see what songs people gravitate to," says Joe, "because there's such a wide variety of tunes."
"Sweetzerland Manifesto" was recorded at Studio 1480 in Los Angeles and produced by Perry and Bruce Witkin, with Johnny Depp serving as executive producer and additional help from Jack Douglas who co-wrote and co-produced a number of tracks. Read morehere.
In the video, a love story plays out during a Dia de los Muerto celebration. Brendan Walter and Mel Soria directed the vibrant video replete with skulls, smoke machines and a masquerade party. The band take center stage in the video, playing for a crowd of Day of the Dead revelers.
Fall Out Boy will hit the road January 8 for a European tour, beginning in Berlin and wrapping up April 12 in Brussels. Watch the video for "Hold Me Tight or Don't"here.
"When we set out to make a video for 'Pleader,' Joe (Newman) sent the following one line brief to director Isaiah Seret: 'a Welsh mining love story; a tidal wave of earth,'" the band revealed to NPR.
"What Isaiah came back with was an epic short film, inspired both by the song's source material and Tarkovsky's The Sacrifice. A family must pit their desire to have a child against the knowledge that this would destroy their community. The hypnotic, hymnal quality of the song binds the video throughout, hinting at redemption while destruction takes place." Watch the videohere.
However, it's the first question that should hit home the hardest with guitarists and fans of the instrument. When asked about the best piece of advice he'd ever received, Gibbons said, "B.B. King laid quite a simplistic statement on me: Learn to play what you want to hear. When you're trying to learn an instrument, chances are you find yourself at the feet of a teacher who may have an idea of what you should learn. But if you learn to play what you want to hear in your head, you are steps ahead."
Gibbons also spoke of his time touring with Jimi Hendrix in his youth, calling Hendrix "a real technical wizard". Remembering the time, Gibbons said, "we got to share opposing hotel rooms always at the end of the hall and the doors were always open. He had a record player delivered each and every afternoon, and he would motion to me, "Come on over here. Let's see if we can figure this out." And we wound up listening to Jeff Beck trying to figure things out. Read morehere.
"As a British band, it's one of those things that it's very lovely to be nominated, but we don't quite culturally understand it, the guitarist told Esquire. "It's a very American thing. Us Brits are very bad at celebrating ourselves."
O'Brien added, "It's in our DNA to be a little ambivalent with award ceremonies. We haven't had great experiences. I would never want to disrespect anything because obviously some amazing artists have been nominated. But if I'm honest, I don't understand it."
When considering the artists nominated, which includes numerous Brits, including Depeche Mode, Moody Blues, Judas Priest, Eurythmics, Dire Straits and Kate Bush, O'Brien said that the list is lacking in American music and especially in hip-hop.
"It's a little bit thin on black artists and hip-hop artists," he said. "I'm just speaking as a fan of American music, I would have thought that Dr. Dre should have been in there two years ago. His name should be first on the list, way ahead of Radiohead." Read morehere.
Frontman Gavin Rossdale was inspired to pen the politically-charged song after seeing the violence and civil unrest that erupted in Charlottesville, Virginia, earlier this year.
"Hatred and bigotry are the best friends of stupidity," Rossdale said in a press statement. "The title isn't a call to arms, it's a call for humanity. It's actually an anti-war song--an observation of the times. The title is a reference to good versus evil. This is a time for inclusion, compassion and understanding. We need to stay strong." Stream the songhere.