To be honest, I had some aversion when it came to listening to this album, Harmony in Disarray. It is, after all, nothing but instrumental piano compositions. However, after spinning Harmony multiple times (mainly on my mini-field trip to Detroit this weekend, but that's another story), I find that my traditional avoidance of classically-themed music is both ignorant and downright stupid. Elijah Bossenbroek is a fantastic musical artist. Elijah plays an album full of elegant, graceful, and oddly melancholy piano arrangements. Maybe it's my mood, maybe it's the local weather (tons of snow and not many place to go) or maybe it's just the sheer, minimalist power of nothing but piano key structures for music, but the songs on offer here are very emotional and at times even visceral. Tracing out intricate arrangements with his nimble fingers, Elijah weaves aural tapestries of stunning, introverted wisdom. Highly mature and very thought-provoking, Harmony in Disarray features absolutely no words, but will inspire you to think much harder than CDs that do.

Equally interesting is the man's backstory itself. At eighteen, Elijah went for a stint in the Marine Corps, which took him on a five year tour of military installations all over the world. Visiting places as diverse as Japan, Kuwait, and California, Elijah returned home, married, and raised two kids. He has since returned to his roots, reclaiming his lost, childhood knowledge of piano playing.

Bossenbroek started lessons at six, but says he often hated the dull repetition behind learning notes and playing to metronomes. Frustrated, Elijah began writing his own piano compositions at age fourteen. I point the above out for two reasons; first, Elijah's stay in the Marine Corps gives good reason for why some of the songs are so world-weary. Second, a song or two on this album have been toiled on since the age of fourteen, and are amongst Elijah's very first written songs. It is this long-term dedication to songcraft that raises Harmony in Disarray so far above the normal piano composition.

The music itself is fantastic. Eleven somber songs are on display; despite all feature the same instrument, and nothing else, almost all of the songs manage to forge a unique identity. "On The Wings" does, for example, sound like the fluttering feathers of a flock of piano-keys. Quiet and morose, the song offers up a soft, delicate fragility that few piano songs convey nowadays. "The Calm Before" is a rainy day ode to simplicity and grace. Title track "Harmony in Disarray" earns its name perfectly; on the one hand, the song is exceedingly complex, but it's rising crescendos and falling troughs of melody maintain the ironic paradox that is "Harmony in Disarray." The gentle, whispering "Spinning Nowhere" is another strong point; it elegantly drapes the listener in a moody, swaying breeze of melody. "A Song of Simplicity" is a fist-pumping piece of grandiose keywork, whereas follow-up "Promises" is slowly-building crests of ringing bliss turned into glorious music.

"Humble Beginnings" is one of Elijah's earliest songs, a composition he has tinkered with since the age of fourteen. It comes across as one of the strongest tracks; this music eclipses time, space, existence. It is powerful beyond words. "Ignorance" suffers from placement on the disc; though a good song, it's wintry melancholy seems a little out-of-place sandwiched between two of my favorite songs on the disc, i.e. the aforementioned "Humble Beginnings" and number nine, "Please." While we're on the subject, "Please" is perfect. In fact, I think this is my favorite song on the disc. Songs like this is what has made classical piano compositions one of the most enduring forms of musical expression known to all of mankind.

"Everything's Just Fine" is a little more upbeat, but it still manages the right amounts of complexity, elegance, luster, and wisdom in all the right places.

Closing song "Leaps and Bounds" showcases some innovation to the piano formula; some mild ambient effects have been placed on this track, making it even more lush, fragile, and shining. A great close to a marvelous piece of purist music.