The title track isn't wasted for a second, and as such, "Big Maracas" kicks things off right away. The song sways in on a cool Caribbean breeze of textured, clean, electric guitars, and clangy drums. The song slowly builds into a rocking climax, and I can say that this song already eclipses some of the best material on Blizzard. "Goin' for Tha Rush" has a spacey, tripped out vibe that almost harkens to Pink Floyd rather vaguely at times. An odd song out of left-field, and a great swerve from the band as well. "Show Me Tha Money" has a killer keyboard tone backing a jamming bass line and some good old fashioned funk. "Into the Mist" is a meandering folk ballad that is one of the album's best highlights; I can already picture three or four movies playing this song at that pivotal "protagonist driving a cool car into the sunset" scene. The groove heaven that is "James Brown" is so freaking retro, yet fresh at the same time, you could party to it for a generation or two. "Ain't Stopping My Train" is a fantastic ballad of rustic guitar picking, and the polar opposite that is "Don't Get Hustled" follows it up with blistering guitar licks and random insanity. I'd probably pick "Hustled" is the best track here, so fun is it to listen to the awesome guitar pieces. "The Emasculator" is a quiet ballad about witchy women, and the gospel-themed keyboards of "Where Did The Time Go?" mesh perfectly with the blazing Southern guitar splendor. "Go to Mississippi" is a throwback worthy of Blizzard meanwhile; the tune has a swampy boogie to it the band explored on a few of its earlier tracks. I can say without a doubt that final track "This is What You Get" is the heaviest Luv Machine track I've heard, the band entering stoner rock bliss with a low groove and flat out rock 'n roll.