Nader Sadek Has Extreme Friends
These musicians worked with Sadek to produce a noise experiment moving in and out of independently conceived death metal and Arabic music tracks. This sonic composition accompanies Sadek's uniquely installed drawings which juxtapose the iconographies of death metal and Middle Eastern fundamentalism, which outsiders often associate with darkness, moon worship, and anti-Christian fervour. "The Faceless" startles the audience into rethinking connections between these two frequently misunderstood and villified cultures.
Having grown up a death metal fan in Egypt, Sadek works from the knowledge that the Egyptian state perceived both death metal and religious fundamentalism as threats to its power and legitimacy: death metal rebels against religious and political hypocrisy; piety rebels against a bureaucratic, commercialized, and godless world. Through sound, image, and space, "The Faceless" mingles these cultures in thoughtful, frightening, and uncanny ways.