As a title, well you know, I guess it's like everything else. When you write a song, you write an album, I like to have a song that's representative of everything you're trying to do; now we always didn't do it. 'Love it to Death,' we didn't have a song called "Love it to Death", but certainly 'Killer,' we did have a song called "Killer", and School's Out as well. 'Billion Dollar Babies' and 'Muscle of Love. ' It's sort of traditional with the original Alice Cooper. I haven't always done that but I like to do that if it works.
And in this situation, that song is tough enough to represent KillSmith, and 'Sexual Savior ' certainly represents the sexual part of rock and roll, and what this project was about. And like you said, the 16 page booklet inside is certainly representative of that.
If you haven't checked out Morley's full interview yet, then hop to it! It's well worth the click. - Read it here
Preview and Purchase Killsmith CDs
On the Blue: New Horizons Cruise Day 1: Marbin Gets the Fun Started
Hot In The City: Prog Band Tu-Ner Coming to Phoenix
Sites and Sounds: Daytona Beach Ready to Rumble with Welcome to Rockville
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The Night Flight Orchestra Inks Deal With Napalm Records
Little Feat 'Can't Be Satisfied' With New Video
The Melvins Stream 'The Making of Tarantula Heart' Mini-Documentary
Watch Babylon A.D.'s 'Wrecking Machine' Video
The Exies Reveal Never Before Seen Footage With 'For What It's Worth' Video
The Allman Brothers Band Legend Dickey Betts Dead At 80