It was written, recorded and mixed in six days, and on the seventh day, Mark Lemhouse did artwork. The band for the session was myself, of course, on guitar, vocals and harmonica, Jason Carter on drums, and Violet Clark on bass. The session was produced by Jason Carter. There are seven (7) songs clocking in at 20 minutes and so I suppose it qualifies as a mini-LP under the old formats. No one seems to know or care what the current format models are (a very weakened LP on compact disc continues to rule the roost by default), which is WONDERFUL; so let's just call it music and pay whatever price your Google research turns up. If you want it for free, you can usually find some tracks for free download on my Myspace page or on my own blackfrancis.net.

The production is sparse in terms of the band, which, by the way, seems to be a kind of 'Black Francis' thing that has been developing ever since I went back to the old stage name, but is much more produced in terms of the vocal layering of my own voice, perhaps along the lines of TEENAGER OF THE YEAR. I won't bother you here with what the damn concept is, but let's just say the theme revolves around a lot of NASTY sex, NASTIER death, and beautifully strange birth. It was a coincidence that the whole 'finger' thing turns up again; management asked for a digital b-side for a BLUEFINGER track and what they got was this seven fingered thing which is not related to the HERMAN BROOD concept, although I assure you he would approve of all this nasty business.