Metal Masters
Tour: Testament, Motorhead, Heaven & Hell and Judas Priest
by Zane Ewton

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The Metal Masters Tour stormed into Phoenix
for one of its last shows. The combination of Testament, Motorhead, Heaven
& Hell and Judas Priest is a blindingly brilliant addition to the packaged
tour concept. Four very different bands that create a remarkable cross
section of American and English heavy metal. Four bands that can also tear
walls down with guitars.
Thrash
titans Testament opened the show with a furious, if brisk, set of lean
and mean metal anthems. Over 20 years in the game and Testament has weathered
changing musical climates as well as revolving lineups. The classic lineup
is back and stoking the resurgence in 80s heavy metal with a new album,
The Formation of Domination.
From the first note it is evident this
is a band that knows who it is, what it does and how to do it well. Cuts
from Formation mix seamlessly with the band's standards.
It
is a shame Testament takes the stage so early. A 5:30 show time on a Thursday
evening does not even allow people to get out of work before the band takes
the stage. Testament is headlining shows between Metal Masters shows. To
get more than merely a taste of classic thrash, it would be prudent to
hit up one of those shows.
There is the sun. There is the moon. There
is Motorhead.
Few bands are as defiantly reliable as
Motorhead. With a new album in the can and another round of world domination
in mind, Lemmy and the boys are all business. With just a few words – "We
are Motorhead and we play rock and roll" – Motorhead is a bomber plane
on a collision course. There is no stopping it. What else can be said?
On
a darkened stage at the gates of heavy metal oblivion, Tony Iommi and Geezer
Butler stand as centurions. There is still an air of mystery and intrigue
around these two men. They invented heavy metal. Butler's horror lyrics
and Iommi's iconic riffs are the foundation for everything to come after.
Add the irrepressible Ronnie James Dio and the stone solid Vinny Appice
and Heaven & Hell (why couldn't they just be Black Sabbath) is a metal
juggernaut.
This
is the third tour in two years of the reunited Dio-era Black Sabbath. The
foursome still clearly enjoys playing together. Heaven and Hell, Mob
Rules and Dehumanizer are classic metal records. In a live setting
these songs are absolutely electric. From opener, "Mob Rules", to closer,
"Neon Knights", the band was picture perfect. They were also a welcome
measure of subtlety in a night lacking it. Iommi's solo spots were particularly
enjoyable as his playing ranged from quietly eerie to 300-pound sledgehammer.
Dio hit every note and constantly engaged the crowd. For being small in
physical stature, that man was built to sing in the largest places. Heaven
& Hell is enjoying a successful reunion and the metal public is reaping
all the benefits.
A
vicious Arizona monsoon was no match for the legendary Judas Priest. As
rain and wind whipped into the Pavilion, Priest took the stage with a duo
of tracks from the new album, Nostradamus. In a thrilling moment
the monsoon and Rob Halford met at the edge of the stage during the classic
"Metal Gods". The forces of nature at odds. Halford screaming as the storm
roared across the stage. As the storm literally tore apart much of Phoenix,
it did not brave standing up to the mighty Priest. In the eye of the storm
the band ripped through decades of scorching metal hits, and we were all
in the palm of its leather-clad hands.
"Painkiller",
"Hell Bent for Leather" and an incendiary "Electric Eye" were steamroller
heavy. Halford made liberal use of vocal effects but he never failed to
deliver that trademark scream. Guitarists K.K. Downing and Glenn Tipton
unleashed furious riffs. Even after assaults from three of the heaviest
bands in metal, Judas Priest was downright skull crushing. They did everything
you would hope for. The metal, the chains, the motorcycles, the solos,
the guitar-swinging, the screams, the stalking presence of one of rock's
greatest vocalists, the classic tandem of guitarists and the galloping
rhythm section.
Some
concerts are emotional roller coasters, some are testimonials to musicianship
and some are merely choreographed entertainment. Then there are shows where
when it's over and you are lying on the ground with blood pouring from
your head there is a smile spread from ear to bludgeoned ear. You pick
yourself up and walk out – ten feet tall and bulletproof. That is metal
at its best.
Rating:   
tell
a friend about this review
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Testament photos by Zane Ewton - All Others by Adam Bielawski
Full photo galleries coming soon! Keep an eye on the photo section.
Photos Copyright Zane Ewton and Adam Bielawski Respectively
All Rights Reserved
Unauthorized Use Strictly prohibited
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