Journalist Steve Newton has published an image of the iconic rocker and his nephew, rhythm guitarist Stevie Young, having a smoke break on the outside deck of The Warehouse taken by fans Crystal Lambert and Glenn Slavens, who previously captured a photo of singer Brian Johnson and drummer Phil Rudd in the same location.
As for future images, Newton writes: "There might not be any newer ones to come, because word got out that the Aussie earbusters were being spied on, and now there's a big umbrella on the deck blocking the sight of any legendary rockers sipping coffee or whatever's in those white mugs."
AC/DC have recorded their last three albums at the Canadian studio owned by rocker Bryan Adams, including 2000's "Stiff Upper Lip", 2008's "Black Ice" and 2014's "Rock Or Bust." Read morehere.
The track was recorded for Slash's solo album which featured an all-star guest list of musicians. The song that Chester record, "Captain Alibi", did end up on the record but featured vocals from late Motorhead legend Lemmy Kilmister.
The Guns N' Roses guitarist told Varity "When I was doing my first solo record, I worked with a lot of different people, some of whom, for whatever reason, didn't end up on the record. One was with Chester. We did a song and Linkin Park at the time didn't allow it to happen, so I did it with Lemmy. The guy who engineered my demos sent it to me and I sent it to Chester's family."
As for the eventual release of the song, Slash said, "His family has got it, so it would be totally up to them. It was really good. He was awesome. It would be fine with me if they wanted to [release] it. Musically it's basically the same as the Lemmy song, but the lyrics are really poignant."
The Recording Industry Association of America (RIAA) announced the California band's package has been newly-certified at 38x Platinum, accounting for sales and streams of more than 38 million copies since its release.
The RIAA also revealed that The Eagles' 1976 record, "Hotel California", is now the third best-selling album of all time, certified 26x Platinum for sales and streams of more than 26 million copies.
"Congratulations to the Eagles, who now claim the jaw-dropping feat of writing and recording two of the top three albums in music history," says RIAA Chairman and CEO Cary Sherman. "Both of these transcendent albums have impressively stood the test of time, only gaining more currency and popularity as the years have passed, much like the Eagles themselves.
"As we celebrate the 60th anniversary of the RIAA's Gold & Platinum Program this year, it is only fitting that we can recognize the Eagles for their singular contribution to the history of American music."
"We are grateful for our families, our management, our crew, the people at radio and, most of all, the loyal fans who have stuck with us through the ups and downs of 46 years," added Don Henley in a statement. "It's been quite a ride." Read morehere.
Perry did an interview with SiriusXM and said, "I'm talking about that with some people right now, but right now, my biggest emotional commitment is to the idea that it took a long time for me to just find my love for music again, and write music that I'm passionate about and sing music that I'm passionate about.
"There were moments in the studio where we would be working up a track or working on a mix, and I would actually get goosebumps on my arm. I'd say, 'I can't get that anywhere else but here.' I realized I must have found my love for this again, because it's resonating with me again." Watch the full interviewhere.
Elliott appeared late in the singer's 26-song set, and followed a guest appearance from original J. Geils Band rocker Peter Wolf on his former group's 1981 hit, "Centerfold."
"We're going to bring out another special guest tonight," Joel told the crowd. "This is a guy who's in a band that's gonna be here tomorrow night... Please welcome Joe Elliott from Def Leppard."
The surprise appearance saw Elliott return for the night's closing encore of Joel's 1980 hit, "You May Be Right." Check out videohere.
The singer - who fronted the band between 1976 and 1978 - claims to have written lyrics to songs that appeared on the band's self-titled 1980 debut, including "Prowler", "Charlotte The Harlot", "Phantom Of The Opera" and "Iron Maiden", as well as the 1981 "Killers" track "Prodigal Son", while musician Terry Wilson-Slesser says he co-wrote lyrics to a 1974 song called "A Rainbow's Gold" that the veteran metal outfit used for "Hallowed Be Thy Name" from 1982's "The Number Of The Beast."
All of the songs are credited to Iron Maiden founder and bassist Steve Harris, except for guitarist Dave Murray's "Charlotte The Harlot." In its court filing, the veteran UK metal band admitted only that Willcock changed three words of "Prowler", and two of "Charlotte The Harlot."
Documents served to the High Court by defendants Murray, Harris and publisher Imagem state: "The lyrics for ["Charlotte The Harlot"] were written by Mr. Harris in or around 1977 to accompany music written by Mr. Murray, who had joined Iron Maiden in late 1976." Read morehere.
"It's been talked about," the rocker tells Eddie Trunk in a new interview. "I think everybody wants to do it, and we'll just see what happens. We've been busy doing this running around the planet."
Slash's remarks follow similar ones made recently by Axl Rose, who told Iceland Magazine after the group's July 24 show in Reykjavik: "Right now our focus is on touring and the shows, but everyone seems to be getting along so you never know."
The reunion trek by Rose, Slash and Duff McKagan - which was launched with a rare club show at The Troubadour in Los Angeles on April 1, 2016 - is now in its third year and is among the top five biggest-selling concert tours in music history with sales of more than $500 million.
Slash revealed to Trunk that the original concept for the reunion was to only play five shows. "That's initially what it was gonna be. We didn't have a big, long-term thing [planned]," explained the guitarist (as transcribed by Blabbermouth)."Axl and I got together, and we talked for a while and so on, and we thought it would be cool to these Coachella dates, because we [got] offered to get back together and do Coachella every year for years, and we obviously didn't do it [before]. So now that we were on good terms, it seemed like a good idea.
"So that was the basic focus - just to do those two shows and a couple of warm-up shows, so we did the Troubadour, one show in Vegas, in Mexico and the Coachella gigs. And that went so well, and everything just fell back into place. So we said, 'Okay, we'll do this U.S. run that they're offering us,' and then everything just snowballed from there."
"The last shows that we did was '94 in South America, so we were at that place where we were playing stadiums," Slash continued. "So when this came back around, the first offers were to do stadium-type gigs. So I was, like, 'Okay. That's great.' I think, more than anything, I was just excited about the enthusiasm. Considering, for me personally, being out of it for so long, coming back into it and seeing these insane crowds...
"It was, in my opinion, better received this time around than it was in the last years of the '90s that I was in it. It was really, really cool. And it's one of those times you can appreciate playing in a stadium, because you're playing for anywhere from 30 to 80 thousand people that are so dialed into your sh*t that it's like playing in a club - it's got that kind of personal toe-to-toe feel to it. So it was really, really a blast." Read morehere.
The free live event saw sets by drummer Taylor Hawkins' cover band, Chevy Metal, and the Foo Fighters, who were billed as The Holy Sh*ts, a name they occasionally use for surprise gigs.
Billboard reports Queen drummer Roger Taylor joined Chevy Metal for his band's 1981 smash, "Under Pressure", late in their show before Dave Grohl appeared on stage for the set-closer - a cover of The Faces' "Stay With Me" - before the full Foos lineup took the stage for a ten-song performance that consisted mainly of album cuts.
Staying away from tunes the Foos play "when we're doing non-parking lot shows," Grohl asked "how many hard-core, nerdy Foo Fighters fans are out there?" With almost everyone raising their hands, he added "That's our target demo tonight."
The set included several songs seldom played in concert, including "Gimme Stitches" from 1999's "There Is Nothing Left To Lose" (marking its first appearance in a decade), which Grohl said the band had only played live once before at the request of the late Pantera legend Vinnie Paul. The day also marked the first time guitarist Pat Smear had played on "Low," the freight train juggernaut from 2002's "One By One."
Following the main set, the Foos returned for an encore of their 1997 classic, "Everlong," the only well-known hit in the show.
The event served as a promotion and warm up to Cal Jam 18, the second annual Foo Fighter-curated festival set for the October 5-6 weekend at Glen Helen Regional Park in San Bernardino, CA. Read more and watch videohere.
Asked if the thrash metal veterans are currently working on new music, Mustaine tells Guitar World: "Yes, actually, we are. We have been for a few weeks now. All the band members are at home writing stuff and putting it in the same spot, keeping all the riffs centralized in one place. And anybody can access anybody's stuff. And then once we're done I'll start assembling everything."
Can fans expect to see new Megadeth music in 2019? "Absolutely. For sure," adds the rocker. "A whole new record, I would say the chances are probably 95 percent. And at least one new song, I'd say it's 100 percent. No question."
The project would mark the follow-up to 2016's "Dystopia", which debuted at No.3 on the US Billboard 200 upon its release while the album's title track won the band their first-ever Grammy Award in the Best Metal Performance category at the 2017 event. Read morehere.
Despite never being included on a release, "Time Song" was performed live only once by the band. "When we played a concert at Drury Lane in '73 to 'celebrate' us [the UK] about to join what was called The Common Market, I decided to use the song as a warning that time was running out for the old British Empire," says Ray. "This song was recorded a few weeks later but never made the final cut on the Preservation Act I album. Oddly enough, the song seems quite poignant and appropriate to release at this time in British history, and like Europe itself the track is a rough mix which still has to be finessed."
Due October 26, the 1968 collection of vignettes of UK life was the last album by the group's original quartet of leader Ray Davies, guitarist Dave Davies, bassist Pete Quaife and drummer Mick Avory.
"I think The Village Green Preservation Society is about the ending of a time personally for me in my life," Ray explains. "In my imaginary village. It's the end of our innocence, our youth. Some people are quite old but in the Village Green, you're never allowed to grow up. I feel the project itself as part of a life cycle."
Somewhat overlooked upon its original release, "The Kinks Are The Village Green Preservation Society" went on to become regarded by critics as one of the best British albums ever recorded. Created in difficult circumstances by a band on the verge of disintegration and who refused to follow fashion, it is an album of timeless, perfectly crafted songs about growing up and growing old, and the decline of national culture and traditional ways. Listen to the song and read morehere.
According to The Houston Press, Manson's tour manager escorted photographers from the pit prior to the start of his set at the Cynthia Woods Mitchell Pavilion, explaining that the singer was feeling very ill and did not want his picture taken.
The paper notes Manson remained "mostly stationary and visibly shaking at times while he braced himself with the microphone stand" during the abbreviated five-song set, which included very long breaks between songs with the stage blacked out
Manson referenced a case of "heat poisoning" prior to the start of the evening's third song, "This Is The New Sh*t", before collapsing on top of one of the monitors at the end of the next tune, his cover of the Eurythmics' classic, "Sweet Dreams (Are Made of This)" - as roadies could be seen on the side of the stage worriedly contemplating on whether or not to assist him.
Manson managed one more song - the title track to 1996's "Antichrist Superstar" - before leaving the stage, with the Houston media outlet adding that "talk backstage speculated that it was a horrible case of food poisoning" that caused the singer's early exit.
During Zombie's headlining set, the rocker referenced his tour mate's status prior to delivering what should have been their nightly duet on a recently-released cover of a Beatles classic.
"Unfortunately tonight, my good friend Mr. Manson is not feeling too good," Zombie told the crowd, who expressed their disappointment about his brief performance. "Why are you booing him, he doesn't feel good; I can't help it. He is under the weather, unfortunately, feeling like crap, and wishes he could be here right now to do this with me because it takes two to tango when there's twins of evil involved. I guess I'll do this one solo ...we'll scream real loud...he's probably on the bus feeling like crap...we'll make him feel better, man" as the band began "Helter Skelter." See video of Manson incident and Zombie's performancehere.
Rolling Stone reports diehard Chicago Cubs fan Eddie Vedder prefaced the Bowie tune with a long remembrance about attending the team's World Series drought-ending win in 2016 before welcoming Cubs co-owner Tom Ricketts and the World Series trophy onstage as highlights played on the venue's video screens.
Last fall, Pearl Jam released their concert film, "Let's Play Two", which was recorded over two shows at Wrigley Field and follows the Chicago Cubs' journey to their first World Series title in 108 years.
The Seattle rockers delivered a 32-song set of tracks from throughout their career alongside tributes and covers of songs by Eddie Holland ("Leaving Here"), Chris Cornell ("Missing"), Tom Petty ("I Won't Back Down"), The Clash ("Know Your Rights") and Neil Young ("Rockin' In The Free World").
Former NBA Chicago Bulls star and longtime friend of the band Dennis Rodman made a brief appearance on stage when he delivered a ukulele to Vedder before the group launched into "Sleeping By Myself", a track from his 2011 album, "Ukulele Songs." Check out videohere.
The rocker canceled the remainder of his summer tour - an August 28 date at Syracuse, New York's Great New York State Fair, an August 30 gig in Wallingford, CT and an August 31 stop on Hampton Beach, NH - as he recovers.
Betts' team revealed the news via social media, writing "yesterday, after describing to his physicians certain post-stroke repercussions, he was strongly advised to give himself more time to recuperate. Doctors have assured Betts that after three to five weeks he will be 100 percent recovered and can resume his touring schedule."
"Dickey really regrets that he can't be there for his fans," says his manager David Spero, "but he has to take care of his health first."
Betts is hoping to work with promoters to reschedule the dates in Connecticut and New Hampshire, with the goal of resuming his 2018 tour at the Bell Auditorium in Augusta, GA on November 1. Read morehere.
The band broke the news to fans with the following, "Today, music lost another great with the passing of Kyle Pavone of We Came As Romans. Kyle's tragic loss came too early in his life and those of his bandmates. All are devastated by his passing.
"We will miss his smiles, his sincerity, his concern for others, and his impressive musical talent. In lieu of flowers, we will provide information regarding charity donations this coming week.
"The family and the band wish to thank their fans and the music community for all of their love and support as they navigate their grief."
"Vincent Paul Abbott died from natural causes, specifically, dilated cardiomyopathy (an enlarged heart)," said the family in a statement on social media. "Severe coronary artery disease was identified as a significant condition to the cause of death according to the official report submitted by the Clark County Coroner's office. We ask that you please continue to respect the privacy of the family and friends of Vinnie Paul. No further statement will be issued."
Paul - who passed away in his sleep at his Las Vegas home at the age of 54 - was laid to rest during a private funeral service for friends and family in Arlington, TX on June 30.
The rocker was buried next to his brother, guitarist "Dimebag" Darrell Abbott, and their mother, Carolyn, at Moore Memorial Gardens cemetery in a custom "Kiss Kasket" provided by KISS members Gene Simmons and Paul Stanley; Darrell had previously been buried in a similar casket as both were huge fans of the group. Read morehere.
The band shared a photo of Lee and Sixx in the studio together with "Dr Feelgood" producer Bob Rock on their official Facebook page with the caption "28th August 2018".
Lee also shared a brief video on his Instagram account and declared "It's that new sh*t!!!". The band famously signed an agreement to retire from touring but that did leave the door open to new music.
Fans are buzzing that the studio return may have something to do with the upcoming Netflix biopic adaption of the group's best selling 2001 autobiography "The Dirt". Check out Tommy's video posthere.
The Rolling Stones originally recorded the song at Muscle Shoals Sound Studio at the end of 1969 for inclusion on their 1971 album, "Sticky Fingers"; the lead single from the project was a No. 1 US hit for the band.
"Muscle Shoals...Small Town, Big Sound" presents a collection of covers of songs recorded by Chris Stapleton, Grace Potter, Kid Rock, Alan Jackson, and many others at the iconic recording venue and nearby FAME Studios throughout the fifties, sixties, and seventies in celebration of the 60th anniversary of the "Muscle Shoals Sound."
The package also serves as a tribute to FAME studio founder and "The Father of the Muscle Shoals Sound" Rick Hall following his passing in January from prostate cancer at the age of 85; organized by his son and current studio co-owner Rodney Hall and producer Keith Stegall, the set includes some of the late owner's final productions.
"This record has been a full circle for me," says Stegall. "It's the music I grew up on and that impassioned me to become a writer and a record producer and the music to which I owe my love and deepest respect." Read more and listen to the songhere.
The song from the UK band's fourth album, "Killing Machine" - released in the US as "Hell Bent For Leather" - was last played during a 1980 tour in support of "British Steel."
The Montreal stop is part of Judas Priest's current co-headlining tour of North America with Deep Purple as they promote their latest release, "Firepower."
Produced by Tom Allom and Andy Sneap, the project earned the rockers their highest-charting US album with its debut at No. 5 on the Billboard 200 earlier this year.
Frontman Rob Halford recenetly revealed that the veteran metal icons are planning to mark their 50th anniversary in 2019.
"We are, yes," Halford tells 93.3 WMMR Philadelphia. "We're already having these discussions every now and again in the band and with our label and with our promoters and management. We have some ideas and when we get close to solidifying something, we'll let you guys know.
"It's gonna be a great year. What a celebration. Another incredible milestone for Judas Priest that we're looking forward to sharing with everybody." Watch the videohere.
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