Rumors surfaced earlier this year that the band was working at a Vancouver studio after Brian Johnson, Phil Rudd, Angus and Stevie Young were spotted at the facility, fueling speculation that they were working on a new album.
While it appears that Slade's return to the band may be over, he was asked his thoughts about the rumors about the previous lineup getting back together by eonMusic.
He said, "Yes. If it works, good luck. It's great. And why not? There's all sorts of rumors: Axl's going to be doing a track, Brian's going to be doing a track, there's so many variables here. And I've learned with AC/DC also, not to believe the rumors, because even fans fake things.
"But Angus is now over 60, I think, so he's still got a few years to go, if you go by me and Brian. That's all he does - he relaxes by painting, and he smokes fags, and that's about it, so the rest of the time, he's playing guitar."
Bass player Cliff Williams made it well known that he was retiring following the band's Rock Or Bust Tour and Slade was asked who he thought may be taking over for him. He responded, "I'm not sure about that. But Stevie Young and Angus both play bass. Would Cliff come out of retirement? It depends on if he's bored or not, because all he will want to do these days is go fishing with his son, who is a professional fisherman.
"So, I don't know. It's possible, of course, but there again, it's all rumours. But Angus is very big, family-orientated, a la Stevie, so I wouldn't be surprised if there's a nephew or a cousin or something who plays bass So, that's just a thought."
Perry has reportedly filed a lawsuit seeking an injunction prohibiting the release of music from a 1991 collaboration with a musician named Phil Brown and is seeking unspecified damages, according to The Blast.
The website says that they have obtained court documents (which court was not specified in the article) and the suit allegedly claims that Brown's manager took to social media to promote the release of an album that would include unreleased "demo" tracks that were recorded on an 8-track tape recorder.
They report that the lawsuit makes the allegation that the defendant "deceptively associating Perry with Brown and his band, falsely implying that Plaintiff is a member of Brown's band, and threatening to release certain old vocal performances of Perry as part of Brown's band's release, even though Perry owns all intellectual property rights in said vocal performances, Brown abandoned any claim to those performances in 2002, and Perry has repeatedly demanded that Brown not release those works."
Lee broke with Ozzy in 1987 and was replaced by Zakk Wylde, when Osbourne began prepping for his 2010 album "Scream" he decided that he did not want to work with Wylde on the effort and opened the door to Churko approaching Jake about reuniting with the legendary metal vocalist.
While explaining his decade long absence from music and the formation of Red Dragon Cartel and working with Churko on their 2014 debut album, Jake told Eonmusic, "I did start to get a little itchy after 10 years, and I was jamming with bands every once and a while here in Las Vegas, and eventually, Kevin Churko, he initially contacted me because he was doing Ozzy's albums.
"To be honest, I haven't listened to Ozzy in a long time, so I don't know which albums he did, but I know he did a couple of albums with Ozzy, but he initially contacted me because he also lives in Las Vegas, about what it would take for me to come back and play with Ozzy."
Lee then explained that it was an old dispute over credit that prevented the reunion from happening. "Those talks didn't last long. I mean, basically, I said, 'Look, all I want is songwriting credit for the stuff I wrote on 'Bark At The Moon' - that's all."
But it was that approach from Churko that led to Red Dragon Cartel. Lee explains, "He asked me if I'd be interested in doing anything. He said, 'Just come into my studio, put some ideas down. I hadn't been excited about music in a long time, and that excited me, so I decided to do a whole album."
The story goes that Eddie Van Halen was unhappy in his band and wanted to join KISS around the time that they were looking for a replacement for Ace Frehley, but Paul Stanley remembers it a different way.
Stanley was asked about the rumor during this year's KISS Kruise and told fans (see video here), "No. Eddie Van Halen did not almost join KISS."
Paul says that the guitarist did visit KISS in the studio. He continued, "I think there was some strife within the band [Van Halen] at that point, for him, and Eddie came down just to see what was going on. And I remember he was really blown away by the solo in 'Creatures'. He said, 'Get that guy.' That guy who played the solo in 'Creatures' was a guy named Steve Farris, who was in a band called Mister Mister, who had a bunch of hits. But the guitar player was great. And at that point, Eddie was getting into keyboards.
"And I remember he brought some tapes of some of the songs he was working on. And it was, like, this guy is this unbelievable guitar player." Paul says he thought, "'Eddie, what are you doing on keyboards?' But that was the start of 'Jump' and all that other stuff that came afterwards. But Eddie was never going to join KISS and was never almost in KISS."
Minnemann broke the news to fans via Facebook, revealing the collaboration along with an illustration of himself and Alex Lifeson by Tom Colbie.
Minnemann shared with fans, "Working on a new collaborative release together with Rush's Alex Lifeson. Watch this space for more details to follow soon."
The pairing last played together on the band's 2000-2001 farewell tour before the rocker resumed his solo career and KISS moved forward with guitarist Tommy Thayer and drummer Eric Singer.
According to Rolling Stone, Frehley joined his former bandmates on their annual cruise for four songs, including the band's cover of the 1967 Rolling Stones classic "2000 Man", the guitarist's hit cover of the 1975 Hello track "New York Groove", KISS' 1973 debut single "Nothin' To Lose", and their 1975 signature tune "Rock And Roll All Nite."
"This is great... this is so great," said Frehley midway through his appearance. "Thank you guys for inviting me up."
"All this couldn't have happened if we hadn't happened. We started this," added Paul Stanley. "So thank you for being here."
Along with Frehley, the acoustic set also featured former KISS guitarist Bruce Kulick - in the lineup from 1984 to 1996 - who opened the guest portion with the 1992 single "Domino", and 1989's "Hide Your Heart." Watch video of guest portion of the showhere.
The special performance will be happening on February 2nd in an intimate custom-built, 3-tiered, 72,000 square-foot venue will be constructed at Atlanta Station, according to the announcement.
Valerie Vargas, senior vice president - Advertising and Creative Services, AT&T had this to say, "Undoubtedly iconic, Foo Fighters are known to collaborate with a wide range of performers that attract music lovers across the board.
"It's been an honor to continue to build on the DIRECTV Super Saturday Night legacy, and we look forward to bringing fans even closer to the music and entertainment through this marquee event the night before the Big Game.".
The 13-show series will begin at the Hard Rock Stadium in Miami Gardens, FL on April 20 and hit eleven more cities before wrapping up at Soldier Field in Chicago, IL on June 21.
Asked what fans can expect from the upcoming shows, Jagger tells Billboard: "A good night out! A good night out for all. We did a kind of similar tour in Europe this summer, so it's got a lot of fun. ...It's pretty high energy and it's a good a show, I think. I'm into it."
The rock icon explains the difference between performing in the US compared to other territories. "Well, I don't have to speak foreign languages normally, so that's a big difference," says Jagger. "When you tour Europe it's a lot of languages, so I try to do them all and that takes up some time, so (in the U.S.) I can concentrate on some other things.
"There's lots of regional differences, say between Houston and New York, so you've got to tune yourself to that a little bit. It's slightly about adjusting your set and attitude. It's different. It's nice that it's different, you don't want it to be completely homogenous. But it's great to be going around so many different areas, different states and so on."
"Basically your life's attuned to doing those few hours onstage and everything else is a build up to that," he continues. "Of course, you get to enjoy yourself at other times, but really you're thinking about the next show or the show you're doing that night. A lot of prep time goes into that - keeping yourself (together) so you can get through the whole thing without screwing up physically and mentally and keeping yourself really sharp. But I really enjoy it."
At 75 years of age, Jagger says he still loves touring. "When you go out in front of all those people you get an enormous rush of chemicals in your body - your own chemicals, not chemicals you've put in," he says, laughing. "Let's face it, it is a huge buzz. Must be like playing football or something." Read morehere.
Earlier this fall Ozzy told the Philadelphia Inquirer that he "didn't have a great time" on the band's final tour. He said, "I spent nine or 10 years in Sabbath, but I'd been away from them for over 30 years. With them, I'm just a singer. With me, I get to do what I want to do. I was getting bad vibes from them for being Ozzy. I don't know - what the f*** else can I be?"
He doubled down on those comments during a new interview with Rolling Stone. He told the publication, "With Sabbath, all I am is a singer with a band. [Solo] is a different thing. I've got a lot of freedom and I have fun with it. It's not allowed to have f***ing fun with Sabbath. It's too serious.
"Tony was trying to have a go at me, saying, 'Don't f***ing talk over my solos.' I go, 'Okay, are you sure? 'Cause most of the f***ing song is solos. The intro to the song is f***in' five minutes and then I sing for about two seconds and then it's another one.'
"With my own thing, I'm looking to have fun, and that's what music's about for me. I'm not a serious f***ing singer. I'm just a frontman who's trying to get the crowd going in front."
Rolling Stone reports Vicky's suit against Dr. Robert Koblin claims the physician "negligently and repeatedly" prescribed Cornell "dangerous mind-altering controlled substances... which impaired [his] cognition, clouded his judgement and caused him to engage in dangerous impulsive behaviors that he was unable to control, costing him his life."
The suit claims Koblin prescribed Cornell over 940 doses of the anti-anxiety drug Lorazepam (also known as Ativan) between September 2015 and his death by suicide in May 2017.
At the same time, Koblin was prescribing Cornell Oxycodone, though it alleges that the doctor never conducted a medical examination of Cornell, performed any lab studies or clinical assessments.
Vicky's suit alleges that Koblin failed to warn the singer about possible side effects of Lorazepam, which include impaired judgement and rational thinking, diminished impulse control and increased risk of suicide in addiction-prone individuals.
The suit claims Koblin knew Cornell was an "addiction-prone individual," because Koblin was referred to Cornell through Cornell's therapist for substance abuse.
Vicky Cornell is suing for, among other charges, negligence, failure to obtain informed consent and willful misconduct, with Koblin and Robertson Cardiovascular Center named as defendants in the suit. Read morehere.
Kruspe made the revelations during an appearance on United Rock Nations Radio (listen here) where he appeared to promote the November 30th release of the new Emigrate album "A Million Degrees".
He had this to say, "To me, the process of doing this (Rammstein) record was something that I'm very happy with, because we've managed to gain a certain kind of respect back that we have lost in the past.
"It also kind of reminded me, the way that we are the moment, as the beginning from Rammstein. So, music-wise, I think it's richer when it comes to harmonies and melodies. That was also something that I was trying to do, because in the past, every time you talked about Rammstein, it's all about this big burden about the show and the fire.
"Nobody really talks about the music, which is, to me, as a music writer, kind of a slap in your face. It was also important to me that we kind of step up, music-wise, in a way. It's almost like Rammstein 3-D, I would describe it.
"I'm going to Los Angeles in the middle of December to mix the Rammstein record. After that, we are in the middle of tour preparation, and then we're gonna be on tour for the next three years."
The iconic vocalist was asked about his recent comments slamming the Rock Hall as "an utter, complete load of bollocks" when he spoke with The Jerusalem Post and he expanded on his opinion about the controversial institution.
He told them, "I was so annoyed with that coverage because they took my statement out of context to make it seem like I was upset that we weren't in the hall of fame.
"I'm really happy we're not there and I would never want to be there. If we're ever inducted I will refuse - they won't bloody be having my corpse in there."
He added, "Rock'n'roll music does not belong in a mausoleum in Cleveland. It's a living, breathing thing, and if you put it in a museum, then it's dead. It's worse than horrible, it's vulgar."
The tune is the John Lennon-inspired closing track of the group's debut record. "With 'Dear Friend,' that's sort of me talking to John after we'd had all the sort of disputes about The Beatles breakup," says McCartney. "I find it very emotional when I listen to it now. I have to sort of choke it back. I remember when I heard the song recently, listening to the roughs [remastering works-in-progress] in the car and I thought, 'Oh God.' That lyric: 'Really truly, young and newly wed,' listening to that was like, 'Oh my God, it's true.' I'm trying to say to John, 'Look, you know, it's all cool. Have a glass of wine. Let's be cool.'"
"And luckily we did get it back together, which was like a great source of joy because it would have been terrible if he'd been killed as things were at that point and I'd never got to straighten it out with him. This was me reaching out. So, I think it's very powerful in some very simple way. But it was certainly heartfelt."
McCartney is also streaming a newly-remastered version of "Dear Friend" from the reissue, which will be released - alongside 1973's "Red Rose Speedway" - on December 7. Stream the demo and remastered versionshere.
The band will be selling a special limited edition 7" vinyl of their latest single "So Long, And Thanks For All The Fish" with the AC/DC cover on the other side at independent record stores on Friday, November 23rd.
Frontman Maynard James Keenan had this to say, "A belated farewell nod to Malcolm Young, who, along with Bon Scott, played a significant role in my rebellious, hasher youth. God Speed, Malcolm." Check out the songhere.
Vincent was supposed to launch the special shows next month but recently announced that they have been pushed back and will now be taking place on February 8th and 9th in Nashville.
Fleischman, who was the vocalist featured on the debut Vinnie Vincent Invasion album (replaced by Mark Slaughter), broke the bad news to fans via social media. He wrote, "Looks like I'm the bearer of bad news today..
"I think a lot of you know my history with Mr. Vincent been a rollercoaster or two.. first ..things were not feeling good on the business side.. again..the promoter.. extremely low-balled me to the point of.. it being insulting.. the amount of money he offered.. and the poor organization... and lack of respect.. Plus I think it was so bad that the show was cancelled at Graceland.. when the promoter knew some time ago it wasn't going to happen.. I had hardly any contact with anyone wondering what was going to happen .changing plans like a lot of you did ..and unfortunately ..we got hit with travel arrangements and hotel's..having to be canceled and all the money lost.. then they decided to have it in Nashville ..with two special guests.. and on the poster a picture of Vinnie and special guests ..and my name below in tiny little letters which would take a microscope to read it.. thinking that this promoter has something out for me ?.. I don't even know him.. after that I said to myself.. I'm not going down this road again ..people I've been up and down with this situation.. like a lot of you.. unfortunately some people don't learn from their past.. well I do.. I'm not going to hop on that train ever again..
"This is what I texted to Vinnie..
"I'm going to bow out doing the show in Nashville..I apologize but my heart is just not into it anymore..please understand.. while you were away.. I was pursuing other avenues in my life and I just enjoy the way it is now..
I would have called you but I feel you would have tried to talk me into doing this project with you.. but my heart just isn't in it... I'd love to still be in touch with you and be friends..
"So all the best to you..R"
The band took to social media last week and posted the following message "Happy Thanksgiving Hellions!! See you all next year and with a new record that is going to blow you away!!"
Bassist Kyle Sanders revealed some details about the new studio effort during a SiriusXM interview shortly before Vinnie Paul's death. Kyle said,
"We're in the middle of huge things right now. This is the last thing you expect to hear. We're in the studio right now, man. We're doing a record, [this is] everything that Vinnie lives for. It's devastating, man.
"The music that I'm sitting on right now, it makes me so happy to hear it, to have all the music done. We're doing vocals now, we're like 75 percent done with this record. [The] tour's starting in September, all these festivals [are booked]. We just were on the phone with Vinnie talking about the game plan."
Sanders also spoke about working with the iconic Pantera drummer. He said, "Playing bass with that drummer, being the foundation with him in this band, I'm so satisfied with what we've done together. And what we just did on this whole record together. I couldn't be more proud."
He told Cleveland's NBC station WKYC, "I'm on a campaign now to get that band on the ballot somehow. Because without Montrose, there would be no Van Halen, there wouldn't have been Motley Crue, there wouldn't have been Def Leppard. Every band I meet, they're like 'The first Montrose record! The Montrose record!' I think we should be in the Hall Of Fame."
He shared strong emotions about his induction as part of Van Halen, "It means everything. It's a validation that I haven't wasted this life and didn't make it. It's a validation. Yeah, 'You made it.' And you can show that to your grandkids. There's so many bands that get up for nomination year after year and don't get it. Everybody I know that isn't in the Rock and Roll Hall of Fame but should be, is bitter. So I'm not bitter."
The Rock Hall resides in Cleveland and Hagar reflected on his favorite memories in the city, "A lot of memories have been erased intentionally. You know, this used to be the hottest rock and roll town in America for Montrose. You'd go there and it was just a big hot town. The girls were there. The party was there. The old 'sex, drugs and rock and roll' thing. Plenty of that went on in this town and still does, I'm sure, but I don't participate in any of it except the rock and roll part."
The new 6 CD and 115 track collection is set to hit stores on November 30th. We were sent these details about the song: "Though Diamond appeared in the 2001 comedy Saving Silverman, which is about fervent Diamond fans who try to keep their buddy from marrying the wrong woman, he never let on that he had written the perfect theme to the movie. The catchy tune sums up the film and even includes a spoken-word bridge."
Neil had this to say, "I didn't ask anybody about it or tell anybody about it, but I wrote this song while we were doing the movie. I liked it a lot, but I thought maybe [the movie] needed a little something from the heart, rather than being clever."
The film ended up featuring "I Believe in Happy Endings," written specifically for the film, as well as the classics "Cherry, Cherry," "Hello Again" and "Holly Holy."
Diamond later played the song for director Dennis Dugan after the film's release, who said he would have likely used the song if he'd known about it, "but it was already too late," Diamond says, "and I just kept it in my drawer for safekeeping until now." Listenhere.
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