Day in Rock Report for 01/27/2019
Ozzy took to social media late last week to share a photo of his injured eye and captioned the image, "Coughed so hard I burst a blood vessel in my eye."
This follows a hand injury that Ozzy suffered last year which caused him to postpone four US dates so that he could undergo surgery after he contracted a staph infection in his fingers.
Felder has shared a stream of the new album's title track "American Rock 'N' Roll" which features Slash along with Mick Fleetwood and the Red Hot Chili Pepper's Chad Smith.
"Slash lives really close to me," Felder revealed in an interview. "He came over, brought his guitar, plugged into one of my amps and we traded off on some solos. He actually plays on the part of the song that mentions Guns N' Roses by name."
Additional guests of the album includes Bob Weir and Joe Satriani and the record is set to hit stores on April 5th. Check out the title song here.
Anselmo and drummer Blue Gonzalez from Phil's current band The Illegals recorded the clip ahead of the group's concert in Santiago, Chile. Anselmo said in the clip, "I have so much I can possibly say about Bruce, and I will eventually. But for right now, all I can say is I send my love to his wife, his daughter, his mother and everybody that was close to him.
"The guys in Warbeast, the guys in Rigor Mortis, all the DFW [Dallas-Fort Worth] fans, I love you so much, and I know Bruce loved you so much. I wouldn't even know Blue if it weren't for Bruce. And there's a lot to sort through and a lot to deal with.
"Over the next few days, just find it in your heart to think about Bruce and his family and his music and his impact on heavy metal and music in general. That's really all I can say right now. We love you." Watch the videohere.
The band opened their four-song set with "No Attention" - a track from Soundgarden's 1996 album, "Down On The Upside" - before rocking a heavy, but slower, version of Devo's 1980 single, "Girl U Want", and Cheech & Chong's 1974 track, "Earache My Eye."
The Foos lineup exited the stage as Dave Grohl stepped forward to share his thoughts about the event and the late Soundgarden singer. "I gotta be honest, I woke up a little sad this morning," began Grohl, "because, I realized that with all this love, the one person that would've appreciated it the most can't be here tonight.
"So, I wanna play one more song for him," he added, before launching into a solo take on the Foo's 1997 classic, "Everlong." Grohl returned to the stage later in the evening, joining Audioslave's Tom Morello and Brad Wilk - and guest bassist Robert Trujillo of Metallica - for their 2003 single, "Show Me How To Live."
Foos drummer Taylor Hawkins also reappeared during the night's headlining set by the surviving members of Soundgarden,
handling lead vocals on "I Awake" and "The Day I Tried To Live."
Amongst performances by Temple Of The Dog, Metallica and a number of guests, Cornell's widow, Vicky, also paid tribute to her late husband.
"We all know how music can change us," she told the crowd, "but Chris did something more extraordinary - he changed music and paved the way for so many from Seattle to across the globe. And that legacy, and his influence, will live for generations to come. I am so proud that, along with his legacy, his philanthropic work continues to grow and flourish.
"Chris would be so very proud. Simply put, to me, and because of all of you, Chris lives on, a music immortal whose passion for helping others is more alive today than ever." Watch the performances here.
He told Loudwire, "There's only two that I'm aware of at the moment because I'm so busy doing my own thing. The only two bands I'm obsessed with right now are Greta Van Fleet and The Struts.
"Yeah, there's a raging argument about Greta Van Fleet and it's going to go on for years - they don't do themselves any favors when they say that they're not influenced by Led Zeppelin [laughs]. Wear it on your sleeve, baby! Greta Van Fleet, they're just making the music that Led Zeppelin won't make ever again.
"The Struts -they're like a compound of Freddie Mercury and Slade. It's powerful. You've got a frontman that's just so over the top - he's a joy to listen to because he's just such a frontman and that's what he's supposed to be. He put himself on a pedestal. He'll either knock you off or prop you up. He's got balls to get up there - I think he's a superstar. He really is.
"The huge difference to me as a teenager listening to a band like The Struts and maybe a teenager now listening to them is that I have the beauty of knowing that there's not going to be an album every year. It took them five years to follow up their first album. People latch onto that first album so much more because there's nothing else to latch onto.
"When I got into David Bowie, I could go back and find four other albums. That was only in a three year period and when I was coming up. All the bands that I pretty much grew up listening to, by the time I found them, it was their fourth album. Like the Struts now - you don't have albums to go back on but one."
Dave Mustaine co-formed Megadeth with bassist David Ellefson in Los Angeles in 1983, shortly after the guitarist's dismissal from Metallica.
"Thirty-five years ago, I chose the name Megadeth for my band and I see these songs as the most efficient weapons in the band's arsenal," says Mustaine. "'Warheads On Foreheads' is a US military term for targeting efficiency. It's all about using the right tool for the job and these tracks were created for maximum destruction (or stopping power, or something else!)."
"Warheads On Foreheads" will be available in multiple versions, including 3CD , 4LP and digital formats, while a limited-edition, 4LP set pressed on silver colored vinyl will be available exclusively through the band's online store, with deluxe bundles to be announced. See the tracklisting here.
Recordings by Tom Petty (1989's "Full Moon Fever"), Jackson Browne (his self-tiled 1972 debut album), The Troggs (their 1966 cover of "Wild Thing"), and Link Wray & His Ray Men (their groundbreaking 1958 instrumental "Rumble") also made the annual list, which features a diverse range of both singles and albums that are at least 25 years old and exhibit qualitative or historical significance.
Each year recordings are reviewed by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by the Recording Academy's National Board of Trustees.
With 25 new titles, the Hall, now in its 46th year, currently totals 1,088 recordings and is on display at GRAMMY Museum. "The Grammy Hall Of Fame is proud to be a pillar of musical excellence and diversity year after year, honoring some of the most iconic recordings of all time," says Recording Academy CEO/President Neil Portnow. "We are proud to acknowledge the ever-changing landscape and evolution of musical expression for which the Academy has become known. We're honored to add these masterpieces to our growing catalog and are delighted to celebrate the impact they've had on our musical, social, and cultural history." Read more here.
The new tour dates follow the band's release of the track called "Trouble Letting Go" (stream it here, which followed their previous song "Roses and Sacrifice".
They plan to release more new music this year and will be hitting the road on July 3rd Bonner Springs, KS at the Providence Amphitheater. See all of the announced dateshere.
Rome Ramirez had the following to say about the track, (which can be streamed here) "It's really about trying to balance all this sh*t we put on ourselves.
"Everyday... something just gets added to the pot or you're handed some bullsh*t that you got to smile through and I don't know, I just really wanted to talk about that in the song."
The story behind Redemption's Cry is kind of a mysterious one. I remember that it was a warm September evening. I went down to my studio to just play my guitar. I really just wanted to play and not to write, but somehow this song was ready to be birthed. When the baby is ready to come out, there is no stopping it. So as I was noodling around I started to play this melody line, and I immediately grabbed my phone and hit the recording app. The melody literally was playing in my head, and my fingers were trying to keep up with it. The song felt like it was being downloaded to my brain from a spiritual place. I have had similar things happen, but by far this song was the most clear, and it had a very urgent feeling attached to it.
The next day, I went on a run and was listening to it, and I knew that this song needed lyrics rather than being an instrumental piece. Up to that point, I felt that it had some anthem type qualities to it, so in my head I had just been calling it "Anthem". And then suddenly the title popped into my head - "Redemption's Cry". Once again, the thought just felt like it was downloaded; I really did not have to think about it. I just knew. I went home and put chords and rhythm to the melody, and by the end of the weekend the instrumental version was complete. Then I just needed lyrics.
I went to my drummer, because he is a great lyricist. I basically told him that I needed lyrics that portrayed Redemption as a separate heavenly being, and that in the song it is pleading or crying to humanity to see the gift of salvation. Within a few days, he had the lyrics ready for me. As the day approached for the vocal track to be recorded, a lot of natural disasters (2018) in the U.S. and a school shooting happened the same week. My wife, who sang on the recording, recalls crying while she was preparing to sing the song in the studio due to everything going on in the world at that time. It was very emotional and seemed very timely. I believe the song was written to provide some hope in a very turbulent time in history.
Hearing is believing. Now that you know the story behind the song, listen for yourself and learn more about the albumright here!
Share this article