
Boston vocalist Tommy DeCarlo died on Monday (March 9th) at the age of 60, after a battle with brain cancer. Band leader Tom Scholz paid tribute to the singer online.
His family broke the news to fans with the following message, "It is with heavy hearts that we share the passing of our Dad, Tommy DeCarlo, on Monday, March 9th, 2026. (continue)
Legendary former Dead Kennedys frontman Jello Biafra has been hospitalized after he suffered a hemorrhagic stroke this past Saturday, March 7th, he revealed.
Biafra shared, "I hopped out of my bed because I needed to pee, and my left leg just collapsed under me and I fell to the floor. I couldn't even break the fall with my left arm because it wasn't working either. I tried to hop back up again, and I couldn't. I realized I had 'fallen and I can't get up!' (continue)
Creedence Clearwater Revival legend John Fogerty has announced that he is teaming up with Traffic icon Steve Winwood for the Legacy Tour that will be hitting cities across the U.S. in late summer.
Winwood shared these details: The Legends Tour kicks off in Chicago on September 3rd and continues with shows along the East Coast - including Jones Beach, Bethel Woods, and Wolf Trap, ending at Hard Rock Live in Hollywood, FL on September 20th. (continue)
Vans Warped Tour, one of the most iconic, successful, and longest-running music festivals in history has officially revealed the first highly anticipated line-up, which will be hosted in Washington DC this June 13-14.
The Washington, DC stop will take over the Festival Grounds at RFK Campus, just east of RFK Stadium, placing the festival in the heart of the nation's capital with easy access to vibrant neighborhoods like Capitol Hill, Eastern Market, and the Anacostia River waterfront. (continue)
The Hollywood Stars revisit their best-known song, "King of the Night Time World," with a new version recorded with legendary producer Michael Lloyd. During his 60-year career, Lloyd has earned over 100 gold and platinum records for his work with Belinda Carlisle, Barry Manilow, Donny & Marie Osmond, Shaun Cassidy, Lou Rawls, and as the music supervisor for the smash Dirty Dancing soundtrack. "King of the Night Time World" is available today on all digital platforms via Rum Bar Records.
The original version of "King of the Night Time World" was co-written by producer Kim Fowley and Hollywood Stars guitarist Mark Anthony in 1973. Signed to Columbia Records in early 1974, the Stars recorded the song for inclusion on their intended debut album, but due to layoffs in Columbia's A&R department that album was shelved. Fowley, however, knew a great song when he heard it, and secured interest from the rock band Kiss to record "King of the Night Time World." After a few songwriting changes by Kiss frontman Paul Stanley and producer Bob Ezrin, the track made its debut on Kiss's fourth album, Destroyer. Released on March 15, 1976, Destroyer was an immediate hit in North America and is now certified RIAA double platinum. (continue)
Mobile Fidelity Sound Lab (MoFi), the leader in high-fidelity audio reissues, is proud to announce the audiophile release of two cornerstones of the progressive-rock canon from British supergroup Emerson, Lake & Palmer (ELP): the 1971 live masterpiece Pictures at an Exhibition and the 1972 studio gem Trilogy.
The albums, which arrive on March 13, follow MoFi's October 2025 reissue of the band's 1971 prog staple, Tarkus, and the September 2025 release of their seminal self-titled debut. Each is presented as a numbered-edition 180g 33RPM LP (limited to 3,000 copies) and a numbered-edition Hybrid SACD. Sourced from the original tapes (1/4" / 15 IPS / Dolby A analog copy to DSD 256 to analog console to lathe), the vinyl editions are pressed at Fidelity Record Pressing and housed in premium Stoughton gatefold jackets. These definitive reissues bring the visionary depth and virtuosic musicianship of Keith Emerson, Greg Lake, and Carl Palmer to the fore with spectacular dimensionality, breadth, and clarity. (continue)
Creed have announced that they have added a new stop in Tupelo, MS to their brief Summer Of '99 Tour this summer that will include special guests Mammoth and Hinder.
They will be bringing the trek to Elvis Presley's birthplace at the Cadence Bank Arena On Saturday, July 25th with artist presale beginning tomorrow, Tuesday March 10th at 10am CT they advise to use code HIGHER. The public on sale will begin this Friday, March 13th at 10AM. (continue)
Former Arch Enemy frontwoman Alissa White-Gluz has announced that she has formed a new group called Blue Medusa who will be making their live debut at the Louder Than Life and Aftershock festivals and promise music will be released soon.
Alissa had this to say about the new band, "Blue Medusa is the next evolution of everything I've been building toward for years. It's my creative melting pot. Everything fans enjoy about the energy, intensity, and performance they've always experienced on stage with me over the past two decades is still here, even stronger. (continue)
The 55th anniversary of Jethro Tull's "Aqualung" album is being celebrated by the syndicated radio show In The Studio With Redbeard: The Stories Behind History's Greatest Rock Bands.
Redbeard shared this synopsis for the episode: Every real rock music fan has a shortlist of essential albums which were more than mere entertainment, and mine includes Jethro Tull's March 1971 fourth album, Aqualung. Since then, I've never thought the same way about religion, homelessness, or one-legged flute players in tights. Fifty-five years later, Ian Anderson's lyrical subject matter of sectarian religious wars ("My God", "Locomotive Breath"), cruel shallowness of male predation ("Cross-Eyed Mary"), and cold indifference to society's needy ("Aqualung") keeps the album Aqualung remarkably evergreen in its relevancy on its double nickel anniversary but, sadly, doesn't say much for human nature. (read more)
Espers co-founder Greg Weeks's project Magus with Jessica Weeks recently released the song "Exodus" from their forthcoming debut "Music For Mandrax" and to celebrate we asked Greg to tell us about the track. Here is the story:
"Exodus" is an inherently political song, due to the lyrics, but the lyrics come last for us. We begin our songs with fragments that get molded, amalgamated, what have you, into actual songs. In this case it was the guitar riff that came first. Sitting in our converted garage, we worked away at the song, adding Fender Rhodes and formulating additional parts until the final, mostly polished version of "Exodus" came into being. (continue)
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