Buddahead's Fear of Cheese Turns to Ashes
By any reckoning Iranian native Kia has an extraordinary story to tell; he calls Ashes "music to lament to," and he is only half-joking. As a small boy, he fled Tehran for London with his father, after witnessing up close the internecine violence of the Islamic Revolution. In the U.K., he was reintroduced to the mother he'd virtually never known, since she'd left her Iran years before him, and he found himself placed in the strange, regimented environment of a British military school. As he grew up, the feelings that Kia was unable to articulate in words alone found expression in songs. He was so intuitively skilled at this creative channeling that he attracted the interest of a major London music publisher. As Kia built a repertoire, he decided to go to the United States in pursuit of his first record deal.
After making the rounds in New York City and Los Angeles, he signed a deal with Interscope Records. So far so good, but it wasn't long before he discovered that the industry was more interested in molding him to suit the tastes of the moment than in exploring what he might really have to offer in his own right. One can understand why: Kia has an impressive, elastic vocal range, able to perform hushed ballads as eloquently as anthemic rockers.
As the powers that be tried to figure out how they wanted to present their find, Kia decided he would prefer to do it his own way. So he jettisoned the cadre of producers, mixers and constantly gear-shifting executives who surrounded him. He chose a tougher, more D.I.Y. approach to his fledgling career, touring relentlessly as a solo artist, opening for better-known acts. After meeting and working with bassist Toby Evers and Guitarist Simon Gibson, the trio began touring at an unrelenting pace, playing over 400 shows in less than two years. "It was on the road, in the crammed space f the tour van, that our new sound was formed and Buddahead was reinvented as band", says Gibson.