"It was interesting to work like this," Block says. "I was able to play with some unusual harmonies and take some interesting chances. And the sounds we chose to put around that give the music a different fingerprint than what you've come to expect from the band."

Says album executive producer Jason Spiewak: "We were able to capture so many different vibes on 'drift.' The album should excite hardcore Sister Hazel fans as well as fans of Ken's contemporaries, artists like Rob Thomas, Ray LaMontagne, and James Morrison."

Block found the opportunity to explore different ground exciting. One of the most obvious examples was his choice to include a female backing vocalist (Maile Misajon) on the opening track, "blue to a blind man." "The album begins in a delicate, deeply introspective way," Block agrees. "It has moments of singer-songwriter intimacy, some quirky bits, a few playful parts, and some big, powerful passages. What a ride, but it's all inter-connected. The difference between track one and track twelve is astonishing, but somehow it works."

Block had been writing for a long time, settling on the twelve tracks that would make the record in much the way that a "puzzle comes together." Because he had some of the songs in his hip pocket for a while, there was a comfort level with them before he even entered the studio, yet Block still wanted the recording to sound fresh and spontaneous, not over-thought sonically. The "if it feels good, it will sound good" mentality carried him through the time that it took to record the album in Nashville at Session World. Block produced the record himself. A veritable "who's who" of musicians shared their prowess in the studio. Tom Bukovac (Rob Thomas, Keith Urban, Faith Hill, Sheryl Crow, Rascal Flatts), with whom Block had worked on Sister Hazel's album "Absolutely," contributed on the guitar front. Session player Shannon Forest (Sheryl Crow, Toby Keith, Alison Krauss, Little Big Town) filled the drummer slot, and bass players Ethan Pilzer (Jewel, Big & Rich) and Mark Hill (Art Garfunkel, Gretchen Wilson, Kenny Loggins) rotated among the tracks. Jason Spiewak (Ernie Halter, Chris Volz, Five.Bolt.Main), executive producer, provided the keyboard parts. Chip Matthews, a good friend and mixing kingpin sought for his ability to capture vocals, engineered the record. "The recording process was so gratifying and effortless," says Block. "Pure. Easy. Like swimming downstream. We had great people in the room to help me paint what I heard in my head."

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