Steve Cropper and Felix Cavaliere Team Up Again
Following up their critically acclaimed 2008 release Nudge It Up a Notch, guitarist Cropper and vocalist Cavaliere's new album, Midnight Flyer, portrays the songwriting prowess of two titans of blue-eyed soul's golden age.
Midnight Flyer, recorded in Nashville and mixed by the legendary David Z, is the followup to Nudge It Up a Notch, the 2008 maiden voyage by Cropper and Cavaliere that scored critical acclaim from the music and mainstream press. The San Francisco Chronicle called Nudge It Up a Notch "an unexpected delight," while Blues Wax heralded the project as "one of the great surprises of 2008, and further evidence of Concord's genuine commitment to the revamped Stax imprint."
The Stax legacy — and Concord's commitment to it — are very much alive in Midnight Flyer, an album that once again showcases the songwriting prowess of two towering figures from one of the most seminal periods in the history of American pop music. Assisting with the songwriting throughout most of the album's 12 tracks is drummer/percussionist/vocalist Tom Hambridge, who also lent a hand with the crafting of the previous album.
"Felix and I come from pretty much the same musical school — but from different geographical locations," says Cropper. "He's a Jersey boy at heart, and I grew up in Memphis, but when soul meets soul, what can you say? There are no borders. There are no boundaries."
But geography does play a role in the making of great songs, says Cavaliere. "Steve has that Southern vernacular, which is something I really like," he says. "It's almost like another language to those of us from the East Coast. It has a certain folky quality to it. Some of those idioms are part of the hit songs that Steve has written and recorded over the years, and they're part of this record as well."
The impact of both of these musicians and songwriters on pop music is nearly impossible to quantify. As part of Booker T. & the MGs — the house band for the Stax label in its original incarnation during the 1960s — Cropper co-wrote and produced classics by artists like Eddie Floyd ("Knock On Wood"), Wilson Pickett ("In the Midnight Hour") and Otis Redding ("Sittin' on the Dock of the Bay"). In subsequent decades, he lent his instrumental and production skills to a range of artists including Jeff Beck, the Blues Brothers, Neil Young, John Mellencamp and many others.
Cavaliere came to prominence in the mid-'60s as vocalist/keyboardist/songwriter for the Rascals (initially known as the Young Rascals). Cavaliere wrote and/or sang several of the band's biggest hits, including "Good Lovin'" (1966), "Groovin'" (1967), "It's a Beautiful Morning" (1968) and "People Got To Be Free" (1968). The phrase "blue-eyed soul" was coined during the Rascals' heyday, due in large part to the group's highly successful forays into R&B and soul — styles that had been developed and previously dominated by African-American artists.