I have an extra strong connection to this song, probably because it was the very first one written for my new album. The chord progression came naturally and quickly. The melody is really nice and simple, which seemed just about right to get things going. I started on the acoustic guitar to get the feeling I wanted with the rhythm and attack. I tinkered with the lyrics and made changes to the chorus and bridge alongside the multi-talented musical director and guitarist Aaron Tap, who is also my producer and co-writer.

To back up a step�the whole idea stemmed from a few different pieces that just came together. Early on, I knew I wanted to approach the song as 4 different scenes intertwined with a nostalgic feel, capturing or recounting those times when we're smack in the middle of certain moments. The chorus pays tribute to that good ole 'carpe diem' message. It's an enjoy-the-time-now kind of anthem, live it fully as you are with whomever you're sharing the ride. It acknowledges that in our quest for happiness and fulfillment, there will be bumps in the road but it is all these moments collectively that make up the stories of our lives. So don't get too bogged down or you'll miss the big stuff!

We tracked Drums at The Lab in Van Nuys, where the super talented Nick Amoroso found a great groove. I've worked with Nick in the past and he has an incredible ability to help compliment the song, really bringing it alive. Aaron strutted more of his great stuff on electric guitar and bass work. We recorded the vocals, acoustics and harmonies for extra electrics at Aaron's cozy Quail Top studio in North Hollywood. Both places have such a good vibe, and to top it all off, we were fortunate enough to get the critical final touches by mixing engineer Jason Schweitzer (put it this way: one of us two has won a Grammy and it's not me�) and master of mastering Hans Dekline.

In the end, I was thrilled with how everyone involved approached the recording process and the way "Here's to the Night" turned out.