
(Warner) Twenty years ago, Red Hot Chili Peppers ascended to a new creative stratosphere with 2006's epic double album masterpiece, Stadium Arcadium. The multi-GRAMMY Award-winning Los Angeles rock band will now celebrate the 3x-GRAMMY Award-winning album's 20th birthday with the release of three special limited-edition vinyl variants, available now via Warner Records. The seminal album is now available on 4LP color vinyl.
A Canary Yellow and Apple Red vinyl is available at all retailers, while the Brown Smoke and Orange Smoke vinyl only graces the shelves of indie record stores. Fans can purchase the exclusive Sea Blue Marble & Ruby Red Marble Vinyl ("Jupiter") LP 1 & 2 and LP 3 & 4 ("Mars") through the group's official D2C store.
Following the conclusion of the By The Way Tour, the musicians-Anthony Kiedis, John Frusciante, Flea, and Chad Smith-decamped to "The Mansion" in the Hollywood Hills, which famously served as the birthplace of 1991's Blood Sugar Sex Magik. Channeling their collective chemistry at arguably its most free at that point, material flowed out of Red Hot Chili Peppers at an unprecedented pace-captured on tape by longtime producer and their closest creative confidant Rick Rubin. The sessions yielded 28 tracks across Stadium Arcadium's two halves with a total running time of 122 minutes and 19 seconds.
Following this unencumbered gestation, it arrived on May 5, 2006. Upon release, it bowed at #1 on the Billboard 200, becoming their first #1 debut on the respective chart. It impressively held the top spot in its second week as well. Lead single "Dani California" logged a staggering 14 weeks at #1 on the Billboard Alternative Songs Chart, standing out as one of just three songs to debut at #1 on the chart.
Indicative of Stadium Arcadium's enduring impact, both "Dani California" and "Snow (Hey Oh)" have each surpassed 1 billion streams on Spotify. At the same time, it houses some of the group's most incisive, introspective, and important deep cuts. "Wet Sand" siphons a gently distorted riff through a sonic hourglass, spiraling out into one of Frusciante's most emotionally charged solos ever. A jazz-y bounce underlines the raw feeling of an open-hearted performance from Kiedis on the beautifully bare "Hey." Elsewhere, Flea kicks off "Charlie" with a frolicking and freaky bass line charged up by Smith's rhythmic mastery. "Strip My Mind" and "Desecration Smile" affirm the quartet's uncanny ability to infuse shuddering honesty into stunning melodies. Not to mention, Omar Rodríguez-López [The Mars Volta, At The Drive-In] contributes a stunningly seismic solo to "Especially in Michigan." Then, there's "Turn It Again," which artfully bridges the gap between Sabbathian riffage, Funkadelic-style phrasing, and Red Hot Chili Peppers' own unparalleled alchemy primed to explode with another fret-burning solo and wild trombone. The denouement of "Death of A Martian" kaleidoscopically entwines a warm bass thump, celestial guitar, and a bold beat with evocative lyrics and a thought-provoking spoken word by Kiedis.
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