It also includes interviews with her first publisher and biographer, Victor Bockris; her ex-songwriting partner, Blue Oyster Cult’s Albert Bouchard; engineer on Horses, Frank D’Augusta; producer of Radio Ethiopia, Jack Douglas; engineer on the Easter sessions, Shelly Yakus; author of Horses and the Remaking of Rock n’ Roll, Mark Paytress, English music journalist and author, Jon Savage; Rolling Stone magazine’s ex- editor, Anthony De Curtis; New York’s Village Voice music editor, Robert Christgau; Patti Smith biographer, Nick Johnstone and more.

It features live and studio performances of Patti Smith classics such as: Gloria, Easter, Because The Night, Dancing Barefoot, Frederick, Ask The Angela and many, many more. The target of more sexist cliché [largely emanating from those who should know better] than just about any other woman in rock, Patti Smith is not ‘the female Bob Dylan’, ‘the first lady of Punk’ or ‘the most dynamic female artist of all time’; she is simply a unique performer, stunning songwriter and superb vocalist who has stayed at the cutting edge of contemporary music for more than 30 years.