Gibson' Birthday Tribute to Black Sabbath's Tony Iommi
. What's the secret of his literally monstrous tone? In 1969 and 1970 Iommi was experimenting to find a signature sound during the making of both Black Sabbath and Paranoid when he hit on the combination of Gibson SGs and Les Pauls teamed with a high-gain amp, specifically Laneys, to set him apart from all the six-stringers blasting through Marshalls and Hiwatts at the time. First, he tuned his guitars down to allow for greater flexibility and to create a darker instrumental voice. Rolling the tone pots back on his instruments and turning the mids, treble and gain up to 10 on his amps, Iommi created a basic sound that was entirely unique, varied only by the positions of his pick-up switch � full rhythm up for chords and full lead down for solos. Treble was an essential part of his tone crafting as well, and he employed a Rangemaster treble boost box to enhance highs. more on this story Gibson.com is an official news provider for the Day in Rock. Preview and Purchase Black Sabbath CDs |
Stuckey's: A Road Trip Institution - A Chat with CEO Stephanie Stuckey
Road Trip: Eswatini's Swazi Candles: Light from Africa
Quick Flicks: REO Speedwagon - Live at Rockpalast 1979
Caught In The Act: Def Leppard, Journey, Steve Miller Rock Wrigley Field
Sites and Sounds: Art-In-Action Camp Coming to Woodward, PA
Sammy Hagar Share Video From Best Of All Worlds Van Halen Tribute Tour
Queens Of The Stone Age Cancel More Shows Following Josh Homme's Emergency Surgery
Axl Rose Helps Billy Joel Close Out His Madison Square Garden Residency
Ghost Deliver 'Rite Here Rite Now' Soundtrack
The Offspring 'Make It All Right' With New Animated Video
Fit For A King Recruit The Plot In You's Tewers For 'TECHNIUM' Video
Middle Child Syndrome Says 'Listen To Me' With Debut Album
Singled Out: The Sweet's Little Miracle