The spirit of "Suspended in the Brume of Eos" lives in this album, though with more composure; the 'medieval' melodies integrated into the melodically-charged roots of black metal create something that is remarkably smooth for such a union. Describing what the group does in practical terms has me walking on eggshells. However, I'll say I'd describe "Aria of Vernal Tombs" the same way I'd explain Dark Souls to some loser who hasn't played it yet: its style and themes aren't per se open-ended, but seamless in a convoluted sense without becoming a tangled mess. Calling the melodies and high-quality riffs images of Dissection or Sacramentum seen through a grassy, meditative lens isn't necessarily incorrect, but it fails to conceptualize more than a taste of the wide, poignant melting pot that is "Aria of Vernal Tombs." Obsequiae eclipses words; they need to be experienced to be grasped.

As performers, there is much to admire. The harsh shrieks have grown from "Suspended in the Brume of Eos" and adapt smoothly to the overall sound. The lead guitars are stunning-solos of majestic depth are thrown everywhere, each one carefully crafted and dripping enchantment. Spaced out among the record are brief instrumentals featuring nothing but a medieval harp, and they are absolutely phenomenal. Reflected in its affecting arrangements is the soul of this band, spoken not through harsh vocals or superb melodies but the affecting murmur of an instrument long since forgotten. It's rare to find interludes that are vital, let alone tolerable, yet the quality of these tracks are as layered and full as the actual songs.