This band was big in the Bay Area back in the '90s where they specialized in an update on the New Wave sound. That sound has been updated further on this new effort where songs like "Paper Angel" pay homage to the original New Wave era with brooding synth melodies and vocals from guitarist Matt Easton that often recall those of Elvis Costello. The cool thing though is that they don't mimic any of the era's big acts, so hearing songs like the electro pop of "More All the Time" or the dirge-like and spacy "Aeromedica" are opportunities to latch onto this reborn band as something new, whether you hear the retro nuances or not. Lyrics like "scattered rubble amethyst/falls like a fist on tower bridge," from the album's title cut, make it fun to try and figure out what the heck they're talking about, which of course is whatever you want them to be talking about. Acoustic guitar joins the keyboards on the bouncy "Lightfield," ultimately one of the most "commercial" cuts on the album with its radio-ready, hook-filled chorus. Easton really sounds Costello-ish on closing cut "Waiting for the Knife" where the literate but slightly cryptic lyrics add to the Elvis-ness.
Share this article
Kandace Springs - Run Your Race
On the Blue: New Horizons Cruise Day 1: Marbin Gets the Fun Started
Hot In The City: Prog Band Tu-Ner Coming to Phoenix
Slipknot To Play Rare Intimate Venue Show This Week
Deep Purple Announce New Album '=1'
Howard Jones, ABC And Haircut 100 Taking Fans Back To The 80s This Summer
Veil Of Maya and Brand Of Sacrifice Lead Summer Slaughter Lineup
Watch Sebastian Bach's '(Hold On) To The Dream' Video
Kittie To Rock North American Headline Dates
Billy Corgan's Adventures in Carnyland TV Series Premiere Announced
GHOSTxSHIP Releasing First New Music in 10 Years