Van Halen Live
Allstate Arena in Rosemont,
IL. on May 30, 2008
by Andy Argyrakis with photos by Rob Grabowski

.
Van
Halen's ongoing membership saga is certainly worthy of a TV mini-series,
if not a full-fledged reality show. Though all's stayed steady since 2007
(wow, a whole year!), the 2000s have been filled with several unpredictable
turns that couldn't even be created for a soap opera script. Just for the
record, the "reunion" line-up enlists original front man David Lee Roth,
alongside guitarist Eddie Van Halen, drummer Alex Van Halen and new bassist
Wolfgang Van Halen (the seventeen-year-old son of Eddie), while the group's
second singer Sammy Hagar and original bassist Michael Anthony currently
tour as The Other Half.
Obviously
this wasn't quite like catching Van Halen back in the day, not just because
of Anthony's absence, but because the band's no longer the urgent, trendsetting
rock n' roll rebels. At this stage of the game, it's three middle aged
men and one offspring coasting on classic rock nostalgia, which certainly
has a place in the concert market, even if there's no current musical statement
being made. Across the better half of two hours, the auto-pilot cruised
at full altitude, not necessarily taking any risks, but bringing back generally
satisfying memories of when Van Halen truly mattered.
With
over two dozen songs in the set, there were ample examples of its influence
across rock history, from the raucous "Runnin' With the Devil" to the muscular
melodies of "Dance the Night Away" and the supercharged "I'll Wait" (hampered
by piped in keyboards- oh so cheesy). The ringleading Roth (who was dressed
like a circus ringmaster at times) helped put the band's gritty stamp on
Roy Orbison's "(Oh) Pretty Woman," pleased album appreciators with "Romeo
Delight" and "Ice Cream Man," while rounding the bases with the commercial
climaxes "Hot For Teacher" and "Panama."
Even
with the overwhelming demand for an encore (the inevitable "Jump"), there
was an element of the original magic missing (and we're not just talking
a reprisal of those tacky, pre-taped keyboards instead of the real deal).
Unlike Van Halen's early years when the players had something to prove,
their motives appeared far less pure, viewed by many as nothing more than
a quick cash grab (especially in light of the singer's floundering solo
career). Had the band actually released a studio CD or had something fresh
to say, it wouldn't be as easy to make assumptions, but the core four didn't
even hint a trip to the studio was in the works. While there's no knocking
any of their abilities to reproduce a series of rollicking retro sounds
across a packed two hours, Van Halen's true test will come when writing
new material, that is of course, as long as everyone's still talking by
tomorrow.
  
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