5 Stars: Wynton Marsalis - He and She
While this album is filled with the great jazz you'd expect from a member of the Marsalis family, it also contains something a little different than most jazz albums you'll find. Sprinkled throughout the album are short poems written and read by Wynton Marsalis. Each poem (about relationships between men and women) serves as a sort of prelude or introduction to the song that follows.
The jazz ranges from the Dixieland-flavored "School Boy" to "The Sun and the Moon" which has the clean trumpet sound that Miles Davis made famous. It also features some piano similar to Vince Guaraldi. "The Sun and the Moon" is just a cool song, daddy-o. Dig it. And then there is "Fear." This is a little more akin to the sort of experimental music Miles Davis did in the latter part of his career. What makes this song really interesting is the ending, which seems like it should be part of a burlesque show.
One thing is for sure. Wynton and the band do not just pick one style of jazz and stick to it through the entire album. There are sweet melodies, avant-garde tunes with complex time signatures, and just a lot of good instrumentation and arrangement all around. Oh, and did I mention that this album was recorded in just two days? A lot of bands (in any genre) could take a lesson from that. So, to answer the question. No, jazz is not dead. And no, not all jazz being recorded is that treacly mass-produced "smooth jazz." (Thank goodness!) Check out this album and you will realize that jazz, real jazz is alive and well. And who better to carry that banner than Wynton Marsalis?
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5 Stars: Wynton Marsalis - He and She
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