The Doors To Premiere Previously Unreleased Song On Monday
The bluesy track captures the band barreling through the full-throttle original. Bruce Botnick, the album's co-producer with the band, recently made the discovery while reviewing the L.A. WOMAN session tapes. The song will premiere on the band's Facebook
Next up in news from The Doors: On Friday, January 20 at 7:30 PM there will be a one-time special screening of "Mr. Mojo Risin': The Story of L.A. Woman" (Eagle Rock Entertainment DVD/Blu-ray) at the Egyptian Theatre in Hollywood, CA with special surprise guests. Jac Holzman--who signed the group to Elektra Records--and Los Angeles rock radio veteran Jim Ladd will present the film and take questions about the group's final album and legacy afterwards at a public Q&A session.
"Mr. Mojo Risin': The Story of L.A. Woman"(Eagle Rock Entertainment DVD/Blu-ray) is told through new interviews with Manzarek, Krieger and Densmore as well as Elektra Records founder Jac Holzman, original manager Bill Siddons, engineer/co-producer Bruce Botnick and others. The high-definition video also features live and studio performances as well as rare archival photos. This fascinating documentary contains rare footage of The Doors in the studio and on stage. The documentary was made with the full involvement, approval and cooperation of The Doors.
The group's final album--1971's L.A. WOMAN, with the signature hits "L.A. Woman," "Love Her Madly" and "Riders On The Storm"--is being celebrated with a special 40th anniversary two-CD release from Rhino and a behind-the-scenes DVD/Blu-ray from Eagle Rock Entertainment.
In addition to "She Smells So Nice," the second disc of the L.A. WOMAN reissue includes eight never-before-heard versions of songs from the album. Alternate takes of "L.A. Woman," "Love Her Madly" and "Riders On The Storm" offer a fresh view on this landmark album, which was the group's sixth straight Top 10. The studio chatter between the songs is a revelation, transporting listeners to The Doors Workshop: the West Hollywood rehearsal space where they recorded the album with Botnick. One segment in particular captures a fascinating moment of inspiration when Morrison suggests they add the now-iconic thunderstorm sound effects to the beginning of "Riders On The Storm."