Edwards tells Prog: "It's a natural progression from the sound of Sleeping Pills & Lullabies. It's more fleshed out and varied, but still retains the simplicity of arrangement and melody in the writing.

"Harpist Sarah Dean plays on quite a few of the tracks and Andy Coughlan returns to play double bass throughout, and there's some tasty Telecaster work from Tim Hammil. The string quartet return for three of the songs."